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n accident informs Artamene that Philidaspes is really Prince of Assyria, sure to become King when his mother, Nitocris, dies or abdicates, and that, being as he is, and as Artamene knows already, desperately in love with Mandane, he has formed a plot for carrying her off. The difficulties in the way of preventing this are great, because, though the hero is already aware that he is Cyrus, it is for many reasons undesirable to inform Cyaxares of the fact; and at last Philidaspes, helped by the traitor Aribee (_v. sup._), succeeds in the abduction, after an interlude in which a fresh Rival, with a still larger R, the King of Pontus himself, turns up; and an immense episode, in which Thomyris, Queen of Scythia, appears, not yet in her more or less historical part of victress of Cyrus. She is here only a young sovereign, widowed in her earliest youth, extremely beautiful (see a portrait of her _inf._), who has never yet loved, but who falls instantly in love with Cyrus himself (when he is sent to her court), and is rather a formidable person to deal with, inasmuch as, besides having great wealth and power, she has established a diplomatic system of intrigue in other countries, which the newest German or other empire might envy. By the end of this volume, however, the Artamene-Cyrus confusion is partly cleared up (though Cyaxares is not yet made aware of the facts), and the hero is sent after Mandane, to be disappointed at Sinope, in the fashion recounted some thousand or two pages before. [Sidenote: The oracle to Philidaspes.] With the beginning of vol. iv. (that is to say, part ii. vol. ii.) we return, though still in retrospect, to the direct fate of Mandane. Nitocris is dead, Philidaspes has succeeded to the crown of Assyria, and has carried Mandane off to his own dominions. The situation with so robustious a person as this prince may seem awkward, and indeed, as is observed in a later part of the book, the heroine's repeated sojourns (there are three if not four of them in all[167]) in the complete power of one of the Rivals, with a large R, are very trying to Cyrus. However, such a shocking thing as violence is hardly hinted at, and the Princess always succeeds, as the Creole lady in _Newton Forster_ said she did with the pirates, in "temporising," while her abductors confine themselves for the most part to the finest "Phebus." Even the fiery Philidaspes, though he breaks out sometimes, conveys his wish that Mandan
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