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ath the river's surface. The first deck, when the vessel is but lightly loaded, stands perhaps two feet out of water. Above this, carried on rows of posts twenty feet high, comes the first cabin. All between is open to the air on either side; so that, as one of the huge river-monsters passes at night, the watcher on the bank can see the stalwart, black, half-naked bodies of the negro stokers, bending before the glowing furnace doors, and throwing in the soft coal, that issues in clouds of smoke from the towering chimneys seventy feet above. The lights in three rows of cabin windows glow; and the unceasing beat of the paddle-wheels mingles with the monotonous puff of the steam from the escape-pipes, and the occasional bursts of music from the open cabin doors. One who for the first time looks on one of these leviathans of the Mississippi, pursuing its stately course at night, does not wonder at the frightened negro, who, seeing for the first time a night-steamboat, rushed madly from the river's bank, crying that the angel Gabriel had come to blow the last trump. When these boats have taken on their full load of cotton, they present a very different appearance. Then all the open space beneath the cabins is filled by a mass of cotton-bales. The hull is so sunken in the water that the lowest tier of cotton-bales is lapped by the little waves that ruffle the surface of the river. The stokers and furnaces are hid from view, and the cabins appear to be floating on one huge cotton bale. Generally a great wooden stern-wheel propels this strange craft, adding to the grotesqueness of the sight. It may readily be understood, that vessels of this class, in which strength was subordinated to lightness, and economy to gingerbread decoration, seemed to be but poor materials for vessels-of-war. The tremendous recoil of a rifled cannon fired from one of those airy decks, meant to stand no ruder shock than the vibration caused by dancing pleasure-parties, would shake the whole frail structure to pieces. Yet the ingenuity born of necessity, and the energy awakened by the immediate prospect of war, led the Confederate engineers to convert some of these pleasure-palaces into the most terrible engines of destruction chronicled in the annals of war. The first step was to sweep off all the towering superstructure of decks, cabins, and saloons; tear away all the fanciful mouldings, the decorated staterooms, and carved and gilded stairways. Th
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