FREE BOOKS

Author's List




PREV.   NEXT  
|<   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46  
47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   >>   >|  
his there may be big waves and little waves travelling at the same rate, and also the actual shape of the waves may differ very widely. Thus waves have points of similarity and yet their infinite variety, as do human beings. This variety in the shape of the waves results in the difference in timbre between various tones. Nobody could fail to distinguish between the sound of a note played on a penny whistle and the same note given out on a violin or a cornet: yet the actual rate of wave would be the same in each case. The reason is that no tone is a pure fundamental tone, there are always super-added a number of other tones, termed the overtones. These are, to the original tone, exactly what the flavouring is to the pudding. You have your fundamental tone and you can add your overtones to taste: you can flavour with the penny whistle, the violin, or the cornet timbre to suit yourself. But according to the flavouring, so is the shape of the wave. Isolated fundamental tones are apt to be colourless and monotonous, like the diapason work on an organ. The organist is able to flavour his fundamental tone at will, by the stops he draws to add to it: he has a special supply of "mixtures" which sound truly dreadful and impossible by themselves, but these in combination with the fundamental go to the making of a successful timbre. Carrots, by themselves, are not a Christmas diet, but we understand that they go to improve the flavour of the festive pudding. In some such way as this thoughts are tuned, and from the thoughts we think, the desires we entertain, and the aspirations which fill our souls, the timbre of our life is determined. No one is fundamentally and wholly good or bad, we have all of us our overtones, and some of us have very curious mixtures which go to make us what we are. But just as the gramophone will take in all the wonderful complexity of sound waves which are sent out by a whole orchestra of instruments, and will combine these into one wavy line on the record--a kind of compound wave containing "all the elements so mixed"--so also it is with ourselves. All the thought elements are so mixed in us that as we go through life we vibrate to a note that is unique, compounded as it is of all those inner thoughts and emotions that are so exclusively our own. To those who sound the same note, or one that is in harmony, we are akin. We meet them for the first time, and in a moment we have known them for years, perh
PREV.   NEXT  
|<   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46  
47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   >>   >|  



Top keywords:
fundamental
 

timbre

 

overtones

 
flavour
 

thoughts

 

elements

 
mixtures
 

variety

 

actual

 
flavouring

pudding

 

whistle

 

violin

 
cornet
 
curious
 

desires

 

determined

 

entertain

 
fundamentally
 

wholly


aspirations

 

emotions

 

exclusively

 

compounded

 

unique

 

vibrate

 

moment

 

harmony

 

thought

 

orchestra


instruments

 

combine

 
wonderful
 

complexity

 

festive

 
record
 

compound

 

gramophone

 

played

 

distinguish


reason

 

number

 
termed
 

Nobody

 

widely

 
points
 

differ

 
travelling
 
similarity
 
results