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In the centre is a dome, near the summit of which, as if it were watching over the worshippers below, is seen a dove, floating apparently in air. The effect is good, whatever may be thought of the taste which would allow so sacred an emblem to be thus introduced. The great attractions of the church are a row of malachite pillars on either side of the high altar. Their appearance is very fine; the malachite is, however, only veneered on copper, of which the pillars are composed. There are also numerous pictures of saints, which at first sight appeared to be of the richest mosaic, like those of Saint Peter's at Rome, but on examination they proved to be only on canvas; perhaps they are placed there till the real mosaics are ready. The three brass doors of the church, covered with figures in the deepest relief, are very fine, as is also a large window of stained glass. Cousin Giles observed, that the richness of the decorations put him in mind of Saint Peter's at Rome; but, both in respect to size and elegance of design, it is much inferior. The party having satisfied their curiosity, set off across the square to the Hermitage. Their new friend the colonel was at the door to receive them, and, conducted by a guide in the imperial livery, they mounted a superb flight of steps, which led them into a series of magnificent rooms, the walls of which were covered with some of the finest pictures of the great masters. In the centre of each of these rooms were exquisitely-shaped vases of malachite and other valuable materials. The colonel, in the politest manner, pointed out to the party the pictures most worthy of admiration. Cousin Giles was particularly struck by two holy families, by Raphael, painted at different periods of his life, very different from each other, and yet both equally beautiful. There are a number of very large pictures in the halls, the favourite subject of which is the retreat of the French from Russia, and the burning of Moscow. This subject is treated in every possible manner. There are also a number of large pictures of the battles in which the Russians have been victorious. They are not fond of keeping up a remembrance of their defeats. There was a good picture of the late Emperor, with his haughty brow, fierce eyes, and determined lips, the very impersonification of self-will and human pride, now brought down to the very dust; but, haughty as was that brow, the expression of the coun
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