FREE BOOKS

Author's List




PREV.   NEXT  
|<   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106  
107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   >>   >|  
Gate of Triumph at the entrance of the city, was lined with scaffolding and seats, in preparation for the coronation, to enable the lieges "to see great Caesar pass that way" from his palace of Petrofsky, where he was to reside three days before entering the Holy City to undergo the ceremony of his coronation. The Gate of Triumph, which forms the northern entrance to the city, is built of stone, after the model of one at Rome, but with a taste which would make a Roman stare. All the statues and ornaments about it are painted of every variety of colour, so that it has the appearance of a wooden structure put up by the rustic inhabitants of some country village to welcome the lord of the estate. The Palace of Petrofsky is itself a curious sight. It is a huge pile, of a bright red colour, intermingled with white, and covered with every conceivable device in the way of ornament. It has circular walls projecting out in front from the main building, in shape and colour very like lobsters' claws, and there are the brightest green roofs, and numberless domes, and cupolas, and minarets, and towers, and spires, covered with burnished gold, which make one suppose that a very rich man must live within. On a wide, open space in front of the palace, wonderfully grand preparations were making for a fete which was to be given to the people on the occasion of the coronation. At a short distance before the palace stood a magnificent pavilion, intended to hold the Imperial family. A little of the woodwork yet unpainted showed that it was not a solid structure of stone. No people can equal the Russians in making the false pass for the real. On either side of the pavilion were others, each of a different style of architecture, for the use of the chief nobility of the realm. Before them, at some little distance, were two theatres, in comparison with which the magnificence of the old fair-going booth of Richardson would have grown dim. They might be called theatres, but they were only the semi-part of the theatre; the open common, with the blue sky overhead, was the space intended for the audience. Then there were several Montagnes Russe, but, instead of being made of ice and snow, they were built of wood. They consist of high elevations, facing each other, with a slope between them; people ascend to the top by steps, where they find cars of wood. They place themselves in the cars, and then are sent sliding down one slope wit
PREV.   NEXT  
|<   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106  
107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   >>   >|  



Top keywords:
colour
 

palace

 

people

 
coronation
 

structure

 
intended
 

pavilion

 

making

 

distance

 

covered


theatres

 
Petrofsky
 

Triumph

 

entrance

 

Russians

 

architecture

 

Imperial

 

sliding

 

magnificent

 
family

showed

 

unpainted

 
woodwork
 

overhead

 

facing

 

elevations

 

theatre

 
common
 

occasion

 
audience

consist

 

Montagnes

 

magnificence

 

comparison

 
Before
 

Richardson

 

ascend

 
called
 

nobility

 

numberless


painted

 
variety
 

ornaments

 

statues

 

appearance

 

wooden

 

village

 

estate

 

country

 

inhabitants