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and Hauserman and Whitburn and the others right. "Max, do you believe in me?" he asked. "Do you believe that I knew about Khalid's assassination a month before it happened?" "It's a horribly hard thing to believe," Pottgeiter admitted. "But, dammit, Ed, you did! I know, medieval history is full of stories about prophecies being fulfilled. I always thought those stories were just legends that grew up after the event. And, of course, he's about a century late for me, but there was Nostradamus. Maybe those old prophecies weren't just _ex post facto_ legends, after all. Yes. After Khalid, I'll believe that." "All right. I'm saying, now, that in a few days there'll be a bad explosion at Reno, Nevada. Watch the papers and the telecast for it. If it happens, that ought to prove it. And you remember what I told you about the Turks annexing Syria and Lebanon?" The old man nodded. "When that happens, get away from Blanley. Come up to the town where Northern State Mental Hospital is, and get yourself a place to live, and stay there. And try to bring Marjorie Fenner along with you. Will you do that, Max?" "If you say so." His eyes widened. "Something bad's going to happen here?" "Yes, Max. Something very bad. You promise me you will?" "Of course, Ed. You know, you're the only friend I have around here. You and Marjorie. I'll come, and bring her along." "Here's the key to my apartment." He got it from his pocket and gave it to Pottgeiter, with instructions. "Everything in the filing cabinet on the left of my desk. And don't let anybody else see any of it. Keep it safe for me." The large young man in the white coat entered. THE END End of Project Gutenberg's The Edge of the Knife, by Henry Beam Piper *** END OF THIS PROJECT GUTENBERG EBOOK THE EDGE OF THE KNIFE *** ***** This file should be named 18584.txt or 18584.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/5/8/18584/ Produced by Greg Weeks, Sankar Viswanathan, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special
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