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in _Between the Devil and the Deep Sea_ which runs: "What follows is worth consideration. The forward engine had no more work to do. Its released piston-rod, therefore, drove up fiercely, with nothing to check it, and started most of the nuts of the cylinder-cover. It came down again, the full weight of the steam behind it, and the foot of the disconnected connecting-rod, useless as the leg of a man with a sprained ankle, flung out to the right and struck the starboard, or right-hand, cast-iron supporting-column of the forward engine, cracking it clean through about six inches above the base, and wedging the upper portion outwards three inches towards the ship's side. There the connecting-rod jammed. Meantime, the after engine, being as yet unembarrassed, went on with its work, and in so doing brought round at its next revolution the crank of the forward engine, which smote the already jammed connecting-rod, bending it and therewith the piston-rod cross-head--the big cross-piece that slides up and down so smoothly." This is the method of Homer as applied to the shield of Achilles, the method of Milton in enumerating the superior fiends, the method of Walter Scott confronted with a mountain pass, the method of the sonneteer to his mistress' eyebrow. Mr Kipling's enthusiasm for these broken engines would be intolerable if it were not obviously genuine. Unless we shut our ears and admit no songs that sing of things as yet unfamiliar to the poets of blue sky and violets dim as Cytherea's eyes, we cannot possibly mistake the lyrical ecstasy of the above passage. When Mr Kipling tells how a released piston-rod drove up fiercely and started the nuts of the cylinder-cover, it is an incantation. His machines are more alive than his men and women. It is more important to know about the cast-iron supporting-column of Mr Kipling's forward engine than to know that Maisie had long hair and grey eyes, or to know what happened to any of the people whom it concerned. _.007_, which is the story of a shining and ambitious young locomotive, is ten times more vital--it calls for ten times more fellow-feeling--than the heart affairs of Private Learoyd or the distresses of the Copleigh girls at Simla. The pain that shoots through .007 when he first becomes acquainted with a hot-box is a more human and recognisable bit of consciousness than anything to be shared with the Head of the District or the Man Who Was. The psychology
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