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ch the author neither glosses nor gloats over, being content to make them appear essential to the development of the story. I am going to keep my eye on Mr. WILLIAMS, chiefly because he can write enthrallingly, but partly to see if he will accept a word of advice and be a little more sparing in his use of those little dots ... which are the first and last infirmity of writers who have no sense of punctuation. * * * * * When a young man sets out to London to make money for his relations he usually (in a novel) writes a book which sells prodigiously--quite an easy thing to do in a novel. Mr. John Wilberforce, however, avoids the beaten track in _The Champion of the Family_ (FISHER UNWIN). _Jack Brockhurst_, the champion in question, became a member of the Stock Exchange, and, if you will accept my invitation and follow his fortunes, I can promise you a fluttering time. Mr. WILBERFORCE'S name is unknown to me, and I judge him more experienced in the mysteries of the Stock Exchange than in the art of fiction; but I like his constructive ability and I like his courage. He does not hesitate to make his champion a prig, which is exactly what a youth so idolised by his family would be likely to become. But, though a prig by training, _Jack_ was not by nature a bore, and his relations (especially his father and sister) are delightful people. Altogether I find this a most promising performance. * * * * * [Illustration: "HAVEN'T YOU ANYONE YOU CAN PLAY WITH, BOBBY?" "I _HAVE_ ONE FRIEND--BUT I HATE HIM."] End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. 159, September 8th, 1920, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** ***** This file should be named 16877.txt or 16877.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/8/7/16877/ Produced by Jonathan Ingram, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of
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