ality of seeming
true, and the fact that Defoe can so deceive us makes his work the
more excellent reading.
The _Memoirs of a Cavalier_ resembles _Robinson Crusoe_ in so far as
it is a tale told by a man of his own experiences and adventures. It
has just the same air of truth and for a long time after its first
publication in 1720 people were divided in opinion as to whether it
was a book of real memoirs or not. A critical examination has shown
that it is Defoe's own work and not, as he declares, the contents of
a manuscript which he found "by great accident, among other valuable
papers" belonging to one of King William's secretaries of state.
Although his gifts of imagination enabled him to throw himself into
the position of the Cavalier he lapses occasionally into his own
characteristic prose and the style is often that of the eighteenth
rather than the seventeenth century, more eloquent than quaint. Again,
he is not careful to hide inconsistencies between his preface and the
text. Thus, he says in his preface that he discovered the manuscript
in 1651; yet we find in the _Memoirs_ a reference to the Restoration,
which shows that it must have been written after 1660 at least. There
is abundant proof that the book is really a work of fiction and that
the Cavalier is an imaginary character; but, in one sense, it is a
true history, inasmuch as the author has studied the events and spirit
of the time in which his scene is laid and, though he makes many
mistakes of detail, he gives us a very true picture of one of the most
interesting periods in English and European history. The _Memoirs_
thus represent the English historical novel in its beginnings, a much
simpler thing than it was to become in the hands of Scott and later
writers.
The period in which the scene is laid is that of the English Civil
War, in which the Cavalier fought on the side of King Charles I
against the Puritans. But his adventures in this war belong to the
second part of the book. In the first part, he tells of his birth and
parentage, the foreign travel which was the fashionable completion
of the education of a gentleman in the seventeenth century, and his
adventures as a volunteer officer in the Swedish army, where he gained
the experience which was to serve him well in the Civil War at home.
Many a real Cavalier must have had just such a career as Defoe's hero
describes as his own. After a short time at Oxford, "long enough for
a gentleman," he
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