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iano or band. 'Deed, and there's one song o' mine I always sing alone. It's "The Wee Hoose Amang the Heather." And every time I appear, I think, there's some one asks for that. Whiles I think I've sung a song sae often everyone must be tired of it. I'm fond o' that wee song masel', and it was aye John's favorite, among all those in my repertory. But it seems I canna sing it often enough, for more than once, when I've not sung it, the audience hasna let me get awa' without it. I'll ha' gie'n as many encores as I usually do; I'll ha' come back, maybe a score of times, and bowed. But a' over the hoose I'll hear voices rising--Scots voices, as a rule. "Gie's the wee hoose, Harry," they'll roar. And: "The wee hoose 'mang the heather, Harry," I'll hear frae another part o' the hoose. It's many years since I've no had to sing that song at every performance. Sometimes I've been surprised at the way my audiences ha' received me. There's toons in America where maist o' the folk will be foreigners-- places where great lots o' people from the old countries in Europe ha' settled doon, and kept their ain language and their ain customs. In Minnesota and Wisconsin there'll be whole colonies of Swedes, for example. They're a fine, God fearing folk, and, nae doot, they've a rare sense of humor o' their ain. But the older ones, sometimes, dinna understand English tae well, and I feel, in such a place, as if it was asking a great deal to expect them to turn oot to hear me. And yet they'll come. I've had some of my biggest audiences in such places, and some of my friendliest. I'll be sure, whiles I'm singing, that they canna understand. The English they micht manage, but when I talk a wee bit o' Scots talk, it's ayant them altogether. But they'll laugh--they'll laugh at the way I walk, I suppose, and at the waggle o' ma kilts. And they'll applaud and ask for mair. I think there's usually a leaven o' Scots in sic a audience; just Scots enough so I'll ha' a friend or twa before I start. And after that a's weel. It's a great sicht to see the great crowds gather in a wee place that's happened to be chosen for a performance or twa because there's a theatre or a hall that's big enough. They'll come in their motor cars; they'll come driving in behind a team o' horses; aye, and there's some wull come on shanks' mare. And it's a sobering thing tae think they're a' coming, a' those gude folk, tae hear me sing. You canna do ought but tak' yo
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