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tinued rest, but did not oppose me too violently when I declared that such a thing was out of the question until the ten remaining ledgers have been checked. Jan. 17.--For three nights I have had no experiences--my day of rest has borne fruit. Only a quarter of my task is left, but I must make a forced march, for the lawyers are clamouring for their material. I will give them enough and to spare. I have him fast on a hundred counts. When they realize what a slippery, cunning rascal he is, I should gain some credit from the case. False trading accounts, false balance-sheets, dividends drawn from capital, losses written down as profits, suppression of working expenses, manipulation of petty cash--it is a fine record! Jan. 18.--Headaches, nervous twitches, mistiness, fullness of the temples--all the premonitions of trouble, and the trouble came sure enough. And yet my real sorrow is not so much that the vision should come as that it should cease before all is revealed. But I saw more tonight. The crouching man was as visible as the lady whose gown he clutched. He is a little swarthy fellow, with a black-pointed beard. He has a loose gown of damask trimmed with fur. The prevailing tints of his dress are red. What a fright the fellow is in, to be sure! He cowers and shivers and glares back over his shoulder. There is a small knife in his other hand, but he is far too tremulous and cowed to use it. Dimly now I begin to see the figures in the background. Fierce faces, bearded and dark, shape themselves out of the mist. There is one terrible creature, a skeleton of a man, with hollow cheeks and eyes sunk in his head. He also has a knife in his hand. On the right of the woman stands a tall man, very young, with flaxen hair, his face sullen and dour. The beautiful woman looks up at him in appeal. So does the man on the ground. This youth seems to be the arbiter of their fate. The crouching man draws closer and hides himself in the woman's skirts. The tall youth bends and tries to drag her away from him. So much I saw last night before the mirror cleared. Shall I never know what it leads to and whence it comes? It is not a mere imagination, of that I am very sure. Somewhere, some time, this scene has been acted, and this old mirror has reflected it. But when--where? Jan. 20.--My work draws to a close, and it is time. I feel a tenseness within my brain, a sense of intolerable strain, which warns me that something must give.
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