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hat he would not do in his own country--dare not do?--One is so helpless--a woman! Under cover of an old friend ship--ah!" She suddenly turned, and, before he could say a word, disappeared inside the house. He spoke her name once, twice; he ventured inside the house, and called, but she did not come. He made his way to the veranda, and was about to leave for the shore, when he heard a step behind him. He turned quickly. It was the Circassian girl, Mata. He spoke to her in Arabic, and she smiled at him. "What is it?" he asked, for he saw she had come from her mistress. "My Lady begs to excuse--but she is tired," she said in English, which she loved to use. "I am to go on--to prison, then?" "I suppose. It has no matter. My Lady is angry. She has to say, 'Thank you, good-bye.' So, goodbye," she added naively, and held out her hand. Kingsley laughed, in spite of his discomfiture, and shook it. "Who are you?" he asked. "I am My Lady's slave," she said proudly. "No, no--her servant. You can come and go as you like. You have wages." "I am Mata, the slave--My Lady's slave. All the world knows I am her slave. Was I not given her by the Khedive whose slave I was? May the leaves of life be green always, but I am Mata the slave," she said stubbornly, shaking her head. "Do you tell My Lady so?" "Wherefore should I tell My Lady what she knows? Is not the truth the truth? Good-night! I had a brother who went to prison. His grave is by Stamboul. Good-night, effendi. He was too young to die, but he had gold, and the captain of the citadel needed money. So, he had to die. Malaish! He is in the bosom of God, and prison does not last forever. Goodnight, effendi. If you, effendi, are poor, it is well; no man will desire your life. Then you can be a slave, and have quiet nights. If you are rich, effendi, remember my brother. Good-night, effendi. May sacrifices be yours... and My Lady says good-night." Kingsley gave her a gold-piece and went down to Foulik Pasha. As they steamed away Kingsley looked in vain to the house on the shore. There was no face at window or door, no sign of life about the place. "Well, my bold bey," said Donovan Pasha to him at last, "what do you think of Egypt now?" "I'm not thinking of Egypt now." "Did the lady deeply sympathise? Did your prescription work?" "You know it didn't. Nothing worked. This fool Foulik came at the wrong moment." "It wouldn't have made any difference. You
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