ht.
The refined deliberateness of his nature had in it much that was royal
as well as priestly; it was partly intrinsic and born with him, partly
the result of his own mental self-control. He had many enemies, but
calumny seldom dared to attack the high character of Amemi.
The high-priest looked up in astonishment, as the disturbance in the
court of the temple broke in on his studies.
The room in which he was sitting was spacious and cool; the lower part
of the walls was lined with earthenware tiles, the upper half plastered
and painted. But little was visible of the masterpieces of the artists
of the establishment, for almost everywhere they were concealed by
wooden closets and shelves, in which were papyrus-rolls and wax-tablets.
A large table, a couch covered with a panther's skin, a footstool in
front of it, and on it a crescent-shaped support for the head, made of
ivory,
[A support of crescent form on which the Egyptians rested their
heads. Many specimens were found in the catacombs, and similar
objects are still used in Nubia]
several seats, a stand with beakers and jugs, and another with flasks of
all sizes, saucers, and boxes, composed the furniture of the room,
which was lighted by three lamps, shaped like birds and filled with kiki
oil.--[Castor oil, which was used in the lamps.]
Ameni wore a fine pleated robe of snow-white linen, which reached to his
ankles, round his hips was a scarf adorned with fringes, which in front
formed an apron, with broad, stiffened ends which fell to his knees; a
wide belt of white and silver brocade confined the drapery of his robe.
Round his throat and far down on his bare breast hung a necklace more
than a span deep, composed of pearls and agates, and his upper arm was
covered with broad gold bracelets. He rose from the ebony seat with
lion's feet, on which he sat, and beckoned to a servant who squatted by
one of the walls of the sitting-room. He rose and without any word
of command from his master, he silently and carefully placed on the
high-priest's bare head a long and thick curled wig,
[Egyptians belonging to the higher classes wore wigs on their shaven
heads. Several are preserved in museums.]
and threw a leopard-skin, with its head and claws overlaid with
gold-leaf, over his shoulders. A second servant held a metal mirror
before Ameni, in which he cast a look as he settled the panther-skin and
head-gear.
A third servant was handing him t
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