ion to the exhibition. The archers and hallebardiers of the
body-guard kept watch at all the doors. The theatre was filled--the
audience was eager with expectation--the actors were yet to arrive. As
the clock struck three, the hero of the scene appeared. Caesar, as he was
always designated in the classic language of the day, entered, leaning on
the shoulder of William of Orange. They came from the chapel, and were
immediately followed by Philip the Second and Queen Mary of Hungary. The
Archduke Maximilian the Duke of Savoy, and other great personages came
afterwards, accompanied by a glittering throng of warriors, councillors,
governors, and Knights of the Fleece.

Many individuals of existing or future historic celebrity in the
Netherlands, whose names are so familiar to the student of the epoch,
seemed to have been grouped, as if by premeditated design, upon this
imposing platform, where the curtain was to fall forever upon the
mightiest emperor since Charlemagne, and where the opening scene of the
long and tremendous tragedy of Philip's reign was to be simultaneously
enacted. There was the Bishop of Arras, soon to be known throughout
Christendom by the more celebrated title of Cardinal Granvelle, the
serene and smiling priest whose subtle influence over the destinies of so
many individuals then present, and over the fortunes of the whole land,
was to be so extensive and so deadly. There was that flower of Flemish
chivalry, the, lineal descendant of ancient Frisian kings, already
distinguished for his bravery in many fields, but not having yet won
those two remarkable victories which were soon to make the name of Egmont
like the sound of a trumpet throughout the whole country. Tall,
magnificent in costume, with dark flowing hair, soft brown eye, smooth
cheek, a slight moustache, and features of almost feminine delicacy; such
was the gallant and ill-fated Lamoral Egmont. The Count of Horn; too,
with bold, sullen face, and fan-shaped beard-a brave, honest,
discontented, quarrelsome, unpopular man; those other twins in doom--the
Marquis Berghen and the Lord of Montigny; the Baron Berlaymont, brave,
intensely loyal, insatiably greedy for office and wages, but who, at
least, never served but one party; the Duke of Arschot, who was to serve
all, essay to rule all, and to betray all--a splendid seignor,
magnificent in cramoisy velvet, but a poor creature, who traced his
pedigree from Adam, according to the family monumental i