est to pass precisely for what is
most difficult to us.--Concerning the origin of many systems of morals.
144. When a woman has scholarly inclinations there is generally
something wrong with her sexual nature. Barrenness itself conduces to a
certain virility of taste; man, indeed, if I may say so, is "the barren
animal."
145. Comparing man and woman generally, one may say that woman would
not have the genius for adornment, if she had not the instinct for the
SECONDARY role.
146. He who fights with monsters should be careful lest he thereby
become a monster. And if thou gaze long into an abyss, the abyss will
also gaze into thee.
147. From old Florentine novels--moreover, from life: Buona femmina e
mala femmina vuol bastone.--Sacchetti, Nov. 86.
148. To seduce their neighbour to a favourable opinion, and afterwards
to believe implicitly in this opinion of their neighbour--who can do
this conjuring trick so well as women?
149. That which an age considers evil is usually an unseasonable echo of
what was formerly considered good--the atavism of an old ideal.
150. Around the hero everything becomes a tragedy; around the
demigod everything becomes a satyr-play; and around God everything
becomes--what? perhaps a "world"?
151. It is not enough to possess a talent: one must also have your
permission to possess it;--eh, my friends?
152. "Where there is the tree of knowledge, there is always Paradise":
so say the most ancient and the most modern serpents.
153. What is done out of love always takes place beyond good and evil.
154. Objection, evasion, joyous distrust, and love of irony are signs of
health; everything absolute belongs to pathology.
155. The sense of the tragic increases and declines with sensuousness.
156. Insanity in individuals is something rare--but in groups, parties,
nations, and epochs it is the rule.
157. The thought of suicide is a great consolation: by means of it one
gets successfully through many a bad night.
158. Not only our reason, but also our conscience, truckles to our
strongest impulse--the tyrant in us.
159. One MUST repay good and ill; but why just to the person who did us
good or ill?
160. One no longer loves one's knowledge sufficiently after one has
communicated it.
161. Poets act shamelessly towards their experiences: they exploit them.
162. "Our fellow-creature is not our neighbour, but our neighbour's
neighbour":--so thinks every nation.
163. Lov
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