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d cemetery, and for a number of years this Marche des Innocents, with its four or five hundred immense red parasols, under which the vendors sheltered themselves, was one of the sights of Paris. In 1813, galleries of wood were constructed around the enclosure for this purpose. In the centre was placed the old fountain from the corner of the Rues Aux Fers and Saint-Denis, with the five naiads in relief sculptured by Jean Goujon supplemented by three more, more or less in the same style, by Pajou. Since the reconstruction of the Halles Centrales, the Marche des Innocents has been transformed into a public garden, surrounding this monumental fountain. As early as 1766, the Parlement of Paris had taken up the very important reform of suppressing all interments within the city, "a custom which had its origin only in the growth of the city which, in extending its limits, had gradually taken into its enclosure the cemeteries originally outside its walls." A municipal decree, in nineteen articles, forbade any further burials in the cemeteries then within the city walls, after the first day of January, 1766, or in churches, chapels, or vaults, excepting under certain limitations. This sanitary measure was, however, so vehemently opposed by all the cures of Paris that it was never enforced; the question of compelling all interments to take place in suburban cemeteries was not seriously taken up till 1804, when the grounds of Pere-Lachaise were purchased by the city, and, to this day, the only interments that are forbidden within the built-up limits of the capital are the temporary ones, and the common ones for the poor,--the _fosses temporaires_, and the _fosses communes_. [Illustration: CLOISTERS OF THE CHURCH DES INNOCENTS, SHOWING UPPER PORTIONS CONTAINING HUMAN SKULLS, AND THE FRESCOES OF THE "DANSE MACABRE."] By a grotesque arrangement, the funeral arrangements in Paris were formerly in charge of the town-criers, the _crieurs de corps et de vins_, the _crieurs-jures_, who held a monopoly of these public announcements, and who bawled through the streets, indifferently, the proclamation of _choses estranges_ which were lost, mules, children, horses, and the like, of wine to sell--when they carried a gilded drinking-cup, and of deaths--when they wore a sort of dalmatic sown with black "tears" and death's-heads. Their number was at first fixed at twenty-four, then at thirty, and an edict of January, 1690, raised it to fift
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