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pour tous, et tous pour un_." All is in common amongst them--pleasures, perils, pistoles. The characters of the three mousquetaires are well sketched and sustained, and illustrate admirably the vices, virtues, and propensities of their time and station. Aramis, who was originally intended for the church, has relinquished the black coat of an abbe in order to fight a nobleman who had insulted him. He still, however, persists in considering himself as a guardsman only _pro tempore_; and whenever fortune or his mistress frowns upon him, he declares his intention of abandoning his sinful mode of life, and throwing himself into the arms of mother church. Vanity is the failing of Porthos, who shines more by his imposing appearance, brilliant attire, and bull-dog courage, than by any qualities of the head. To Athos, who is the most interesting of the three, a certain mystery is attached, which, however, is seen through early in the book. He is a man of high birth, princely manners, and chivalrous feeling, but whose stormy life has cast a strong tinge of melancholy over his character, and who now finds his sole consolation in the wine-cup. It must not be therefore supposed that Athos is a sot, a wallower in wine, or a haunter of tavern orgies. He drinks, it is true, enough to prostrate any three ordinary men; but he takes his liquor, as he does every thing else, so much like a gentleman, and, moreover, there is so much self-devotion and generosity in his character, such dignity of manner and rectitude of feeling--his temper so even and kindly--his courage so heroic--that he is unquestionably the most amiable and interesting of the _dramatis personae_, preferable to D'Artagnan, to whom premature worldly wisdom gives a hardness bordering upon egotism. While Aramis is sighing sonnets to his mistress, and Porthos parading on the crown of the causeway in all the glory of gold lace and embroidery, Athos sits tranquilly at home, and says, like Gregory in the Deserter-- "J'aime mieux boire." His real name--for Athos, Porthos, and Aramis are merely assumed ones--is known only to the King and to Monsieur de Treville. It would be difficult within the limits of this paper to give an idea of the entire plot of the _Three Mousquetaires_, which is, in fact, less a tale with a regular intrigue and _denouement_, than a narrative of adventures and incidents, extending over a period of nearly three years. D'Artagnan, whose enterprising
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