ho made many works in Venice, about the same time, was
a disciple of Giovanni Bellini, Giovan Battista da Conigliano, by
whose hand is a panel on the altar of S. Pietro Martire in the
aforesaid Church of the Nuns of the Corpus Domini, containing the
said Saint, S. Nicholas, and S. Benedict, with landscapes in
perspective, an angel tuning a cithern, and many little figures more
than passing good. And if this man had not died young, it may be
believed that he would have equalled his master.
The name of a master not otherwise than good, likewise, in the same
art and at the same time, was enjoyed by Marco Basarini, who,
painting in Venice, where he was born from a Greek father and
mother, executed in S. Francesco della Vigna a panel with a
Deposition of Christ from the Cross, and another panel in the Church
of S. Giobbe, representing Christ in the Garden, and below Him the
three Apostles, who are sleeping, and S. Francis, S. Dominic, and
two other saints; but what was most praised in this work was a
landscape with many little figures wrought with good grace. In that
same church the same Marco painted S. Bernardino on a rock, with
other saints.
[Illustration: VINCENZIO CATENA (DI BIAGIO): S. JEROME IN HIS STUDY
(_London: National Gallery, 694. Panel_)]
Giovanetto Cordegliaghi made an infinity of devotional pictures in
the same city; nay, he scarcely worked at anything else, and, in
truth, he had in this sort of painting a very delicate and sweet
manner, no little better than that of the aforesaid masters. In S.
Pantaleone, in a chapel beside the principal one, this man
painted S. Peter making disputation with two other saints, who are
wearing most beautiful draperies, and are wrought with a beautiful
manner.
[Illustration: GIOVAN BATTISTA DA CONIGLIANO (CIMA): TOBIT AND THE
ANGEL (DETAIL)
(_Venice: Accademia, 592. Panel transferred to Canvas_)]
Marco Bassiti was in good repute almost at the same time, and by his
hand is a large panel in the Church of the Carthusian Monks at
Venice, in which he painted Christ between Peter and Andrew on the
Sea of Tiberias, with the sons of Zebedee; making therein an arm of
the sea, a mountain, and part of a city, with many persons in the
form of little figures. Many other works by this man could be
enumerated, but let it be enough to have spoken of this one, which
is the best.
Bartolommeo Vivarini of Murano also acquitted himself very well in
the works that he made, as ma
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