FREE BOOKS

Author's List




PREV.   NEXT  
|<   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   317   318   319   320   321   322   323   324   325  
326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   349   350   >>   >|  
s. They express themselves to any stranger they meet with ease and politeness, with a point and a vivacity which is certainly striking; but which is, of all things, the farthest removed from nature: and it is the consequence of this interchange which has taken place,--this imitation of the manners of the higher orders by the lower classes of the peasantry--that we shall in vain look for any thing in France like a simple national poetry. The truth, the simplicity, the nature, which ought to form it, are not to be found amongst any classes of the French people. The poetry of France, both ancient and modern, that of Ronsard and Marot, in earlier days; and that of Boileau, Racine, Corneille and Voltaire, in more modern times, bears the marks of having been formed in the court. If, for instance, in Scotland, the lower ranks, the labouring classes, like those of France, had transplanted the fictitious manners of the higher classes into the innocence of their cottage, or the sequestered solitude of their vallies--where, under such a state of things, could there ever have arisen such gifted spirits as Burns, or Ramsay, or Ferguson? and where should we have found, that truth, that beauty, that genuine nature, in the lives and manners of our peasantry, which has not only furnished such poets with some of their finest subjects, but has instructed these peasants themselves to pour out, in unpremeditated strains, those ancient and beautiful songs, which art and education could never have taught them; and which, in the progress of time, have formed that unrivalled national poetry, perhaps one of the brightest gems in the diadem of Scottish genius. But we must return to France. The French have been always celebrated for their natural gaiety of character. One exception from this is material to be noticed. It must strike you the moment you look into the countenances of the soldiery, or examine the air and manner of the generality of the lower officers. A dark and gloomy expression, if not a suspicious, and often savage appearance, is their characteristic feature; and although this is disguised by occasional sallies of loud and intemperate mirth, these sallies are more like the desperate and reckless exertions of a troop of banditti, than the temperate and unpremeditated cheerfulness of a regular soldiery. Nor is this look confined entirely to the military. The habits of the whole nation are changed; but yet, with all this alteration, t
PREV.   NEXT  
|<   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   317   318   319   320   321   322   323   324   325  
326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   349   350   >>   >|  



Top keywords:

classes

 

France

 

poetry

 

manners

 

nature

 

national

 
sallies
 

unpremeditated

 

ancient

 

French


modern
 

soldiery

 

formed

 

things

 

higher

 

peasantry

 

changed

 

exception

 
return
 

nation


celebrated

 
character
 

habits

 

gaiety

 

natural

 
genius
 

military

 
education
 

beautiful

 

alteration


strains

 

taught

 

brightest

 

material

 

diadem

 

progress

 

unrivalled

 
Scottish
 

feature

 

characteristic


appearance
 
savage
 

temperate

 
banditti
 
desperate
 
reckless
 

exertions

 

disguised

 

occasional

 

suspicious