of Japan's in Formosa or Korea. It is true
alone in the Philippines.

* * * * *

While I was in the Philippines, down in San Fernando, a statue was
erected to a well-known rebel. He was a man who had refused to take the
oath of allegiance to America when we captured the islands. He escaped
and carried on a propaganda against us. But when he died and a request
was made that a statue be erected to his memory, the United States
granted this permission.

At the dedication of this statue the Governor of this Province said that
he doubted if any nation on the face of the earth, save the United
States, would have permitted the erection of such a statue to a rebel
against that government. "That act will bind our hearts closer to the
heart of the United States!" he said in closing his address. The
thrilling thing about it all was, that his address was met with
prolonged cheering on the part of the thousands of Filipinos who had
gathered for the dedication.

Another evidence of this beautiful friendship for America is the
painting which adorns the walls of one of the Government buildings in
Manila. It is called "The Welcome to America." It was purchased, paid
for and erected by Filipinos; erected in good will, with laughter in
their souls, and joy in their hearts.

It was painted by Hidalgo in Paris in 1904.

High colors; reds, browns, yellows, golds, blues, purples; tell its
story. It adorns the panel at the end of the Senate Chamber of the
Filipino Government.

It has spirit in it and a great, deep sincerity.

The central figure is a beautiful woman, symbolic of America. She comes
across the Pacific carrying the gifts of peace, prosperity, security and
love to her colony, the Philippines.

She carries in one hand the American flag. At her side is Youth bearing
a Harp, symbol of the music that America brings into the souls of the
people whom she comes to serve. Singing angels hover about the scene.

Above the central figure of America, on angel wings, is a Youth carrying
a lighted torch. To the left is a beautiful brown-skinned Filipino woman
with eyes uplifted to this torch. She bears within her ample bosom the
children of the islands. The torch is symbol of the fact that we are
handing on the light of our Christian civilization to the children of
our colonies.

I visited this painting many times, but I never visited it that I did
not see many Filipinos, both young and old, standing