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r an exact science of mind, had not been elaborated to any extent in Homer's day. Reflective language is a later product of Greek spirit. Still the philosopher is anticipated and prophesied in the poet, and it certainly cannot be amiss to trace vague premonitions and promises of the coming Plato and Aristotle in the old poet. Homer has in him the germ of the whole Greek world, and for that matter, much of the modern world also; the best commentary upon him is the 2500 years since his time. IV. The slaying of the Oxen of the Sun has also its searching suggestiveness, and is found in one form or other in the World's greatest Books. Mind destroying mind may be shown as light extinguishing its own luminary; some such hint lies in the symbolism both of the act and its punishment. It is indeed the culminating point of negation--spirit denying spirit. This is the real sin against the Holy Spirit, unpardonable because repentance, all possibility of pardon is denied by the doer of the deed. As I understand him, this is the essence of the sin of Dante against Beatrice, with which she reproaches him in the last part of the Purgatorio. Suggestions of the same kind of guilt may be found in the characters of Shakespeare's Hamlet and Banquo, in whose cases the violation brings on a tragic fate; indeed every true tragedy has some touches of the light-denying or light-defying deed and its penalty. Above all rises in this respect the Faust of Goethe, the theme of which is explicitly intelligence denying intelligence, whereby the human mind becomes utterly negative, begets the Devil, and enters into compact with him for a life of indulgence. While such a state lasts, repentance is impossible. Some such intimation ancient Homer must have had, and shadowed it forth in this strange symbolic deed. Ulysses having disregarded all he had learned by his long and bitter experience, leaving unheeded the warnings and prophecies of the Supersensible and the Sensible World (Tiresias and Circe), drops back into the sphere of Calypso, and has to serve the senses seven years till will and aspiration lift him again. Such a servitude was not uncommon in Greek legend, Hercules is the very embodiment thereof; even a God, Apollo, Light itself, has to serve Admetus, a mortal, in expiation of undivine guilt. An important element of structure is to be noted at this point: the poem bifurcates and the reader has to move in two directions. If he wishes to fol
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