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t for Marduk to reestablish order, and in return, he retains control of the precious tablets. That the conception of Marduk as a solar deity constitutes a factor in the myth is not, of course, to be denied, precisely as in the Tiamat myth, the solar character of Marduk plays an important part. The sun triumphs over the storms. Rain and wind are obliged at last to yield their authority to the former. But for the theologians of Babylon, the position of Marduk as the head of the pantheon was a much more important factor. The myth served to show how Marduk came to supplant the role of the old Bel of Nippur. Viewed in this light, the Zu myth appears in more senses than one as a pendant to the Marduk-Tiamat episode. Not only do both symbolize the same natural phenomenon, but in both, Bel of Nippur was originally the central figure of the pantheon, and in both Marduk replaces Bel. The Zu myth is made to account in a somewhat more respectful, conciliatory manner for the position of Marduk as the head of the pantheon. Instead of setting aside En-lil altogether, as was done by the compilers of the Tiamat myth, Marduk conquers for himself the supremacy that his followers claimed for him. The contradictions between the two myths need not disturb us. As variant versions of a tale intended to account for one and the same fact,--the supremacy of Marduk,--they may well have arisen even in the same place. Such inconsistencies as the assumption, in the Zu version of the nature myth, that En-lil is the original establisher of order in the world, as against the Tiamat version where Marduk snatches the tablets of fate directly from Kingu, are inevitable when stories that arose among the people are taken in hand by theologians and modified and adapted to serve doctrines developed under scholastic influences. The Adapa Legend. The myths and legends that we have so far considered--including the creation and Gilgamesh epics--will have illustrated two important points: firstly, the manner in which historical occurrences were clothed in mythical form and interwoven with purely legendary tales, and, secondly, the way in which nature myths were treated to teach certain doctrines. The story of Gilgamesh is an illustration of the hopelessness of a mortal's attempt to secure the kind of immortal life which is the prerogative of the gods. Popular tales, illustrative of the climatic conditions of Babylonia, serve as a means of unfolding a doctri
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