Guelph
_Defenders of the Christian Faith_(_?_), the results of whose labors
have been corroborated by Greville and recent writers?
To what a line of monarchs, was Shelley called upon to give allegiance
and prostrate himself before, and can we be astonished that he thus
describes the state these abominable Hanoverians had "England in
1819:"
"An old, mad, blind, despised and dying king,--
Princes the dregs of their dull race who flow
Through public scorn, mud from a muddy spring,--
Rulers who neither see, nor feel, nor know,
But leech-like to their fainting country cling,
Till they drop blind in blood without a blow,--
A people starved and stabbed in unfilled field,--
An army which liberticide and prey
Make as a two-edged sword to all who wield,--
Golden and sanguine laws which tempt and slay--
Religion Christless, Godless, a book sealed,--
A Senate--time's worst statute unrepealed,--
Are graves from which a glorious phantom may
Burst to illumine our tempestuous day?"
To aid Republicanism, he threw himself with fervor into the cause of
the unhappy Caroline of Brunswick; and on her account he wrote "God
Save the Queen," in imitation of the British national anthem, and the
satirical piece entitled "Swellfoot, the Tyrant." In the following
words he attacked the prime minister, Lord Castleragh, whose
reactionary counsels were transforming England into a state analogous
to that of Russia to-day:
"Then trample and dance, thou oppressor,
For thy victim is no redressor!
Thou art sole lord and possessor
Of her corpses, and clods and abortions--they pave
Thy path to a grave."
For the Lord Chancellor, Eldon, his hatred was intense; for, in
addition to the crime of robbing him of his children, this occupant of
the wool-sack, had made the seat of justice an appanage for his lust
of wealth and power. I have already quoted some verses on this
renowned lawyer, and will now present you with two others bearing on
the same subject:
"Next came Fraud, and he had on,
Like Lord Eldon, an ermine gown;
His big tears (for he wept well)
Turned to mill stones as they fell;
"And _the little children_, who
Round his feet played to and fro,
Thinking every tear a gem,
Had their brains knocked out by them."
In _Queen Mab_, Shelley has presented us with an unmistakable
portraiture of the "Fi
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