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e, or the decapitation of Charles. Much less, if he would have selected those two instances as the triumph of mind over matter." "But," said Sir John, "you forget that Akenside professedly adopts the language of Cicero in his second Philippic." He then read the note beginning with, Caesare interfecto, etc. "True," said I; "I am not arguing the matter as a point of fact, but as a point of just application. I pass over the comparison of Brutus with Jove, which by the way would have become Tully better than Akenside, but which Tully would have perhaps thought too bold. Cicero adorns his oration with this magnificent description. He relates it as an event, the other uses it as an illustration of that to which I humbly conceive it does not exactly apply. The orator paints the violent death of a hero; the poet adopts the description of the violent death, or rather of the stroke which caused it, to illustrate the perfection of intellectual grandeur. After all, it is as much a party question as a poetical one. A question on which the critic will be apt to be guided in his decision by his politics rather than by his taste. The splendor of the passage, however, will inevitably dazzle the feeling reader, till it produce the common effect of excessive brightness, that of somewhat blinding the beholder." CHAPTER IX. While we were thus pleasantly engaged, the servant announced Mrs. Fentham; and a fashionable looking woman, about the middle of life, rather youthfully dressed, and not far from handsome, made her appearance. Instead of breaking forth into the usual modish jargon, she politely entered into the subject in which she found us engaged; envied Lady Belfield the happiness of elegant quiet, which she herself might have been equally enjoying at her own house, and professed herself a warm admirer of poetry. She would probably have professed an equal fondness for metaphysics, geometry, military tactics, or the Arabic language, if she had happened to have found us employed in the study of either. From poetry the transition to painting was easy and natural. Mrs. Fentham possessed all the phraseology of connoisseurship, and asked me if I was fond of pictures. I professed the delight I took in them in strong, that is in true terms. She politely said that Mr. Fentham had a very tolerable collection of the best masters, and particularly a Titian, which she would be happy to have the honor of showing me next morning.
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