ring
persistence, and both rose to go to the instrument with mutual
alacrity.
There they were close to each other--so close that the warmth and
breath of their beings were interchanged. There in the pursuit of a
fallen sheet of music, his head bent down and touched hers. Once,
apparently to regain the leaf, his hand and arm leaned hard upon
her lap. One second, perhaps, no more; but the girl's whole
strained system seemed breaking up at the touch--her control
shattered, like machinery violently reversed.
The music leaf was replaced, but her hands had fallen nerveless
from the keys.
"It is hot. I can't go on playing. Put the window open, will you,
for me?"
Stephen walked to the window, raised it, and smiled into the dark.
That night it seemed to Stephen he could never force himself to
leave the girl. He prolonged the playing past all reasonable
limits, until May's sister laughingly reminded him that they were
only staying in seaside lodgings, and other occupants of the house
must be considered. Stephen reluctantly relinquished the friendly
piano, and then stood, with May's sweet figure beside him, and her
upraised face clear to the side vision of his eye, talking to her
sister.
At last, when every trifle is exhausted of which he can make
conversation, there comes a pause, a silence; he can think of
nothing more. He nerves himself, holds out his hand, and says,
"Good-night!"
May, influenced equally by the same indomitable aversion to be
separated from him, follows him outside the drawing-room, and
another pause is made on the stair. By this time a fresh stock of
chaff and light wit is ready in Stephen's brain, and he makes use
of anything and everything to procure him another moment at her
side; but of all the passion within him, of the ardent, impetuous
impulse towards her, nothing, not the faintest trace, shows.
A mere "Good-night!" ends their conversation at length, and the
girl did not re-enter the drawing-room, but passed straight up the
stairs to her own room.
"Does he care? Does he care or not?" she asked herself, walking
ceaselessly backwards and forwards. "If I only knew that he did!
This is killing me; and suppose, after all, he does not care!"
She almost reels in her walk, and then stretches her arms out on
her mantelpiece, and leans her head heavily upon them.
"So this is being in love!" she thinks, with a faint satirical
smile. "All this anxiety and pain and feeling of illness! Why
|