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ring persistence, and both rose to go to the instrument with mutual alacrity. There they were close to each other--so close that the warmth and breath of their beings were interchanged. There in the pursuit of a fallen sheet of music, his head bent down and touched hers. Once, apparently to regain the leaf, his hand and arm leaned hard upon her lap. One second, perhaps, no more; but the girl's whole strained system seemed breaking up at the touch--her control shattered, like machinery violently reversed. The music leaf was replaced, but her hands had fallen nerveless from the keys. "It is hot. I can't go on playing. Put the window open, will you, for me?" Stephen walked to the window, raised it, and smiled into the dark. That night it seemed to Stephen he could never force himself to leave the girl. He prolonged the playing past all reasonable limits, until May's sister laughingly reminded him that they were only staying in seaside lodgings, and other occupants of the house must be considered. Stephen reluctantly relinquished the friendly piano, and then stood, with May's sweet figure beside him, and her upraised face clear to the side vision of his eye, talking to her sister. At last, when every trifle is exhausted of which he can make conversation, there comes a pause, a silence; he can think of nothing more. He nerves himself, holds out his hand, and says, "Good-night!" May, influenced equally by the same indomitable aversion to be separated from him, follows him outside the drawing-room, and another pause is made on the stair. By this time a fresh stock of chaff and light wit is ready in Stephen's brain, and he makes use of anything and everything to procure him another moment at her side; but of all the passion within him, of the ardent, impetuous impulse towards her, nothing, not the faintest trace, shows. A mere "Good-night!" ends their conversation at length, and the girl did not re-enter the drawing-room, but passed straight up the stairs to her own room. "Does he care? Does he care or not?" she asked herself, walking ceaselessly backwards and forwards. "If I only knew that he did! This is killing me; and suppose, after all, he does not care!" She almost reels in her walk, and then stretches her arms out on her mantelpiece, and leans her head heavily upon them. "So this is being in love!" she thinks, with a faint satirical smile. "All this anxiety and pain and feeling of illness! Why
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