FREE BOOKS

Author's List




PREV.   NEXT  
|<   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187  
188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   >>   >|  
oo scanningly, perhaps--too much like an enthusiastic boy: "Love lurks upon my lady's lip, His bow is figured there; Within her eyes his arrows sleep; His fetters are--her hair!" "I call that nothing but a bundle of conceits, Major Favraud, mostly of the days of Charles II., of Rochester himself--" interrupting him as I in turn was interrupted. "But hear further," and he proceeded to the end of that marvelous ebullition of foam and fervor, such as celebrated the birth of Aphrodite herself perchance in the old Greek time; and which, despite my perverse intentions, stirred me as if I had quaffed a draught of pink champagne. Is it not, indeed, all _couleur de rose?_ Hear this bit of melody, my reader, sitting in supreme judgment, and perhaps contempt, on your throne apart: "'Upon her cheek the crimson ray By changes comes and goes, As rosy-hued Aurora's play Along the polar snows; Gay as the insect-bird that sips From scented flowers the dew-- Pure as the snowy swan that dips Its wings in waters blue; Sweet thoughts are mirrored on her face, Like clouds on the calm sea, And every motion is a grace, Each word a melody!'" "Yes, that is true poetry, I acknowledge, Major Favraud," I exclaimed, not at all humbled by conviction, though a little annoyed at the pointed manner in which he gave (looking in my face as he did so) these concluding lines: "Say from what fair and sunny shore, Fair wanderer, dost thou rove, Lest what I only should adore I heedless think to love?" "The character of Pinckney's genius," I rejoined, "is, I think, essentially like that of Praed, the last literary phase with me--for I am geological in my poetry, and take it in strata. But I am more generous to your Southern bard than you are to our glorious Longfellow! I don't call that imitation, but coincidence, the oneness of genius! I do not even insinuate plagiarism." My manner, cool and careless, steadied his own. "You are right: our 'Shortfellow' _was_ incapable of any thing of the sort. Peace be to his ashes! With all his nerve and _vim_, he died of melancholy, I believe. As good an end as any, however, and certainly highly respectable. But you know what Wordsworth says in his 'School-master'-- "'If there is one that may bemoan His kindred laid in earth, The household hearts that were his
PREV.   NEXT  
|<   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187  
188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   >>   >|  



Top keywords:

genius

 

Favraud

 
poetry
 

manner

 
melody
 

heedless

 
character
 

essentially

 
rejoined
 

Pinckney


literary

 
humbled
 

concluding

 
conviction
 
annoyed
 

pointed

 

wanderer

 

acknowledge

 

exclaimed

 

geological


imitation
 

respectable

 
highly
 
melancholy
 

Wordsworth

 
kindred
 

household

 

hearts

 

bemoan

 
School

master
 

Longfellow

 
oneness
 

coincidence

 

glorious

 
strata
 

generous

 

Southern

 

Shortfellow

 

incapable


steadied

 

plagiarism

 

insinuate

 

careless

 

ebullition

 
fervor
 

celebrated

 

marvelous

 

proceeded

 
interrupted