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rkable freshness as well as vigor. She also translated from the French several stories illustrative of various social reforms, and in 1867, being then seventy-five years old, she made a somewhat abridged translation of Lamartine's poetical biography of Joan of Arc. This was Sarah's most finished literary work, and aroused in her great enthusiasm. "Sometimes," she writes, "it seems to infuse into my soul a mite of that divinity which filled hers. Joan of Arc stands pre-eminent in my mind above all other mortals save the Christ." When the book was finished, Sarah was most anxious to get it published, "in order," she writes, "to revive the memory in this country of the extraordinary woman who was an embodiment of faith, courage, fortitude, and love rarely equalled and never excelled." But she had many more pressing demands on her income at that time, and had nearly given up the project, when a gentleman from Lynn called to see her, to whom she read a few pages of the narrative. He was so much pleased with it that he undertook to have it published. It was brought out in a few weeks by Adams & Co., of Boston, in a prettily bound volume of one hundred and six pages, and had, I believe, a large sale. Several long and many short notices of it appeared in papers all over the country, all highly complimentary to the venerable translator. These notices surprised Sarah as much as they delighted her, and she expressed herself as deeply thankful that she had translated the work. A letter from Sarah Grimke to Jane Smith, written in 1850, contains the following paragraph: "We have just heard of the death of our brother Henry, a planter and a kind master. His slaves will feel his loss deeply. They haunt me day and night. Sleeplessness is my portion, thinking what will become of them. Oh, the horrors of slavery!" When she penned those lines, Sarah little imagined how great a mockery was the title, "kind master," she gave her brother. She little suspected that three of those slaves whose uncertain destiny haunted her pillow were that brother's own children, and that he died leaving the shackles on them--slaves to his heir, their white brother, though he _did_ stipulate that they and their mother should never be sold. Well might Sarah exclaim: "Oh, the horrors of slavery!" but in deepest humiliation and anguish of spirit would the words have been uttered had she known the truth. Montague Grimke inherited his brothers with the rest
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