FREE BOOKS

Author's List




PREV.   NEXT  
|<   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85  
86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   >>   >|  
yes and behold the beauty of the night. "At what inaudible summons, at what gentle touch of Nature, are all these sleepers thus recalled in the same hour to life? Do the stars rain down an influence, or do we share some thrill of mother earth below our resting bodies? Even shepherds and old country-folk, who are the deepest read in these arcana, have not a guess as to the means or purpose of this nightly resurrection. Towards two in the morning they declare the thing takes place; and neither know nor inquire further. And at least it is a pleasant incident. We are disturbed in our slumber only, like the luxurious Montaigne, 'that we may the better and more sensibly enjoy it.' We have a moment to look upon the stars. And there is a special pleasure for some minds in the reflection that we share the impulse with all outdoor creatures in our neighborhood, that we have escaped out of the Bastille of civilization, and are become, for the time being, a more kindly animal and a sheep of Nature's flock." ("Travels with a Donkey.") Length of Descriptions. There is one more step in the exclusion of details. This considers neither the point of view nor the purpose of the writer, but it is what is due the reader. Stevenson says in one of his essays that a description which lasts longer than two minutes is never attempted in conversation. The listener cannot hold the details enumerated. The clearest statement regarding this comes from Jules Lemaitre in a criticism upon some descriptions by Emile Zola which the critic says are praised by persons who have never read them. He says:-- "It has been one of the greatest literary blunders of the time to suppose that an enumeration of parts is a picture, to think that forever placing details side by side, however picturesque they may be, is able in the end to make a picture, to give us any conception of the vast spectacles in the physical universe. In reality, a written description arranges its parts in our mind only when the impression of the first features of which it is formed are remembered sufficiently, so that we can easily join the first to those which complete and end it. In short, a piece of description is ineffective if we cannot hold in mind all its details at one time. It is necessary that all the details coexist in our m
PREV.   NEXT  
|<   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85  
86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   >>   >|  



Top keywords:

details

 

description

 

picture

 
purpose
 
Nature
 

statement

 

Stevenson

 

reader

 
clearest
 

easily


descriptions
 

criticism

 

Lemaitre

 

enumerated

 

minutes

 

longer

 

ineffective

 

attempted

 
conversation
 

coexist


listener

 

complete

 

essays

 

sufficiently

 

picturesque

 

written

 

arranges

 

forever

 

placing

 

writer


reality

 

spectacles

 
physical
 

universe

 

formed

 

remembered

 

conception

 
praised
 
persons
 

impression


suppose

 
enumeration
 

blunders

 

literary

 
features
 
greatest
 

critic

 

civilization

 

country

 

deepest