e the famous monuments testifying to the pride of successive
centuries--the Castle of Sant' Angelo, that imperial mausoleum which was
transformed into a papal fortress, the distant white line of the tombs of
the Appian Way, the scattered ruins of the baths of Caracalla and the
abode of Septimius Severus; and then, after the innumerable columns,
porticoes, and triumphal arches, there were the palaces and villas of the
sumptuous cardinals of the Renascence, the Palazzo Farnese, the Palazzo
Borghese, the Villa Medici, and others, amidst a swarming of facades and
roofs. But, in particular, just under his window, on the left, the Pope
was able to see the abominations of the unfinished district of the castle
fields. In the afternoon, when he strolled through his gardens, bastioned
by the wall of the fourth Leo like the plateau of a citadel, his view
stretched over the ravaged valley at the foot of Monte Mario, where so
many brick-works were established during the building frenzy. The green
slopes are still ripped up, yellow trenches intersect them in all
directions, and the closed works and factories have become wretched ruins
with lofty, black, and smokeless chimneys. And at any other hour of the
day Leo XIII could not approach his window without beholding the
abandoned houses for which all those brick-fields had worked, those
houses which had died before they even lived, and where there was now
nought but the swarming misery of Rome, rotting there like some
decomposition of olden society.
However, Pierre more particularly thought of Leo XIII, forgetting the
rest of the city to let his thoughts dwell on the Palatine, now bereft of
its crown of palaces and rearing only its black cypresses towards the
blue heavens. Doubtless in his mind he rebuilt the palaces of the
Caesars, whilst before him rose great shadowy forms arrayed in purple,
visions of his real ancestors, those emperors and Supreme Pontiffs who
alone could tell him how one might reign over every nation and be the
absolute master of the world. Then, however, his glances strayed to the
Quirinal, and there he could contemplate the new and neighbouring
royalty. How strange the meeting of those two palaces, the Quirinal and
the Vatican, which rise up and gaze at one another across the Rome of the
middle ages and the Renascence, whose roofs, baked and gilded by the
burning sun, are jumbled in confusion alongside the Tiber. When the Pope
and the King go to their windows th
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