es and gentlemen, the fine picture now unfolding itself to your
gaze exhibits one of the most notable events in Bible history--our
Saviour and His disciples upon the Sea of Galilee. How grand, how
awe-inspiring are the reflections which the subject invokes! What
sublimity of faith is revealed to us in this lesson from the sacred
writings! The Saviour rebukes the angry waves, and walks securely
upon the bosom of the deep!'

"All around the house they were whispering, 'Oh, how lovely, how
beautiful!' and the orchestra let himself out again:

"A life on the ocean wave,
And a home on the rolling deep!

"There was a good deal of honest snickering turned on this time, and
considerable groaning, and one or two old deacons got up and went out.
The showman grated his teeth, and cursed the piano man to himself; but
the fellow sat there like a knot on a log, and seemed to think he was
doing first-rate.

"After things got quiet the showman thought he would make one more
stagger at it, anyway, though his confidence was beginning to get mighty
shaky. The supes started the panorama grinding along again, and he says:

"'Ladies and gentlemen, this exquisite painting represents the raising of
Lazarus from the dead by our Saviour. The subject has been handled with
marvelous skill by the artist, and such touching sweetness and tenderness
of expression has he thrown into it that I have known peculiarly
sensitive persons to be even affected to tears by looking at it. Observe
the half-confused, half-inquiring look upon the countenance of the
awakened Lazarus. Observe, also, the attitude and expression of the
Saviour, who takes him gently by the sleeve of his shroud with one hand,
while He points with the other toward the distant city.'

"Before anybody could get off an opinion in the case the innocent old ass
at the piano struck up:

"Come rise up, William Ri-i-ley,
And go along with me!

"Whe-ew! All the solemn old flats got up in a huff to go, and everybody
else laughed till the windows rattled.

"The showman went down and grabbed the orchestra and shook him up and
says:

"'That lets you out, you know, you chowder-headed old clam. Go to the
doorkeeper and get your money, and cut your stick--vamose the ranch!
Ladies and gentlemen, circumstances over which I have no control compel
me prematurely to dismiss the house.'"

CURING A CO