FREE BOOKS

Author's List




PREV.   NEXT  
|<   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298  
299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   317   318   319   320   321   322   323   >>   >|  
e name of "friend," given to Robert on the first line, placed on the silvery paper, tinted itself like mother-of-pearl, a half smile came to her lips. The first phrases were hard to write. She hurried the rest, said a great deal of Vivian Bell and of Prince Albertinelli, a little of Choulette, and that she had seen Dechartre at Florence. She praised some pictures of the museums, but without discrimination, and only to fill the pages. She knew that Robert had no appreciation of painting; that he admired nothing except a little cuirassier by Detaille, bought at Goupil's. She saw again in her mind this cuirassier, which he had shown to her one day, with pride, in his bedroom, near the mirror, under family portraits. All this, at a distance, seemed to her petty and tiresome. She finished her letter with words of friendship, the sweetness of which was not feigned. Truly, she had never felt more peaceful and gentle toward her lover. In four pages she had said little and explained less. She announced only that she should stay a month in Florence, the air of which did her good. Then she wrote to her father, to her husband, and to Princess Seniavine. She went down the stairway with the letters in her hand. In the hall she threw three of them on the silver tray destined to receive papers for the post-office. Mistrusting Madame Marmet, she slipped into her pocket the letter to Le Menil, counting on chance to throw it into a post-box. Almost at the same time Dechartre came to accompany the three friends in a walk through the city. As he was waiting he saw the letters on the tray. Without believing that characters could be divined through penmanship, he was susceptible to the form of letters as to elegance of drawing. The writing of Therese charmed him, and he liked its openness, the bold and simple turn of its lines. He looked at the addresses without reading them, with an artist's admiration. They visited, that morning, Santa Maria Novella, where the Countess Martin had already gone with Madame Marmet. But Miss Bell had reproached them for not observing the beautiful Ginevra of Benci on a fresco of the choir. "You must visit that figure of the morning in a morning light," said Vivian. While the poetess and Therese were talking together, Dechartre listened patiently to Madame Marmet's conversation, filled with anecdotes, wherein academicians dined with elegant women, and shared the anxiety of that lady, much preoccupied for
PREV.   NEXT  
|<   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298  
299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   317   318   319   320   321   322   323   >>   >|  



Top keywords:

Madame

 

letters

 

Marmet

 

Dechartre

 

morning

 

Florence

 

cuirassier

 

letter

 

Therese

 
Robert

Vivian

 
penmanship
 
divined
 

believing

 
characters
 

charmed

 

preoccupied

 

susceptible

 
drawing
 

elegance


writing

 

chance

 

counting

 
anxiety
 
pocket
 

Almost

 

office

 

slipped

 

waiting

 

Mistrusting


accompany

 
friends
 

Without

 

shared

 

Ginevra

 

anecdotes

 

filled

 

beautiful

 
observing
 

reproached


conversation
 
patiently
 

figure

 

poetess

 

fresco

 

listened

 

Martin

 
addresses
 

looked

 
reading