beauty surveyed, 76 _et seq._
Methods in aesthetics, 5.
Michael Angelo, 182.
Miser's fallacy, its parallel in morals and aesthetics, 31, 32.
Modern languages inferior to the ancient, 173, 174.
Moliere, 174; quoted, 20.
Monarchy, its imaginative value, 34, 35.
Moral and aesthetic values, 23 _et seq._
the authority of morals over aesthetics, 218 _et seq._
Morality and utility jealous of art, 216, 217.
Multiplicity in uniformity, 97 _et seq._
its defects, 106 _et seq._
Musset, Alfred de, quoted, 170, 226.
Mysticism in aesthetics, 126 _et seq._

Naturalism, the ground of its value, 21.
Nature, its organization the source of apperceptive forms,
152 _et seq._
the love of it among the ancients, 137, 138.
New York, the plan of the streets, 95.
Nouns, idea of a language without them, 171.

Objectification the differentia of aesthetic pleasure, 44 _et seq._
Ornament and form, 63 _et seq._
Othello, 237.
Ovid, quoted, 149.

Pantheism, its contradictions, 242, 243.
Perception, the psychological theory of it, 45 _et seq._
Perfection, illusion of infinite, 146 _et seq._
possibility of finite, 258 _et seq._
Physical pleasure distinguished from aesthetic, 35 _et seq._
Physiology of the perception of form, 85 _et seq._
Picturesqueness contrasted with symmetry, 92.
Platonic ideas useless in explaining types, 117, 118.
Platonic intuitions, their nature and value, 8 _et seq._
Platonists, 159.
Plot, The, 174 _et seq._
Preference ultimately irrational, 18 _et seq._
necessary to value, 17, 18.
Principles consecrated aesthetically, 31 _et seq._
Purity, The aesthetic principle of, 70 _et seq._

Rationality, the source of its value, 19, 20.
Religious characters, their truth, 188.
imagination, 185 _et seq._
Rhyme, 173, 174.
Romanticism, 150.

Schopenhauer, 263.
criticised, 37,
note, on music, 69.
Scientific attitude in criticism opposed to the aesthetic, 20, 21.
Sculpture, its development, 153, 154.
Self not a primary object of interest, 39, 40.
Sensuous beauty of fundamental importance, 80, 81.
Sex, its relation to aesthetic life, 56 _et seq._
Shakespeare, 151, 174, 175;
quoted, 51, 114, 229, 237, 251.
Shelley quoted, 12, 244, 253.
Sight, its primacy in perception, 73, 74.
Size related to beauty, 123, 124.
Sky, The, its expressiveness, 8.
Social interests and their aesthetic influence, 62 _et seq._
Socrates, his utilitarian aesthetics, 157.
Sonnet, The, 173.
Sound, 68