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confessed as much. Lucian, who had left his easel, now moved towards it again, and stood scanning his work with the painter's suddenly absorbed gaze--as though he had forgotten, for the moment, everything else in the world but that; then he sat down, as if unable to resist it, and began to add a touch or two, while (with his disengaged faculties) he was good enough to give to his cousin, of his own accord, a brief account of himself in the present, as well as the past. It seemed that he was by profession a civil engineer (as he had already told Garda), and that the party of which he was chief were engaged in surveying for a proposed railway, which would reach Gracias-a-Dios (he thought) in about seventy-five years. However, that was nothing to him; there was undoubtedly a company (they had got an English lord in it), and he, Lucian, was willing to survey for them, if it amused them to have surveying done; that part of the scheme, at least, was paid for. His party were now some distance north of Gracias, they had reached one of the swamps; it had occurred to him that it was a good time to take a day or two, and come down and see the little old town on the coast; and as he was a dabbler in water-colors, he had not been able to resist doing some of the little "bits" he had found under his hand. "I was coming to see you, sir, to-morrow," he concluded. "The truth is, I had only these rough clothes with me; I have sent back for more." "To the swamp?" said Garda. "To the swamp--precisely; I keep them there very carefully in a dry canoe." "You must not only come and see us, Lucian, you must come and stay with us," said the clergyman, cordially; "Penelope will hear of nothing else," he added, bending in his near-sighted way to look at the picture, and putting his nose close to Lucian's pinks and blues. "Isn't it rather--rather bright?" he asked, blinking a little as he drew back. Mr. Moore's idea of a picture was a landscape with a hill in the background, a brook and willows in front, a church spire peeping out somewhere in the middle distance, and a cow or two at the brook's edge, all painted in a dark, melancholy--what he himself would have called a chaste--green, even the cow partaking in some degree of that decorous hue. "It's not brighter than the reality, is it?" said Lucian. "I--don't--know," answered Mr. Moore, straightening himself, and looking about him as if to observe the reality, which he evidently was no
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