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nd where on earth _is_ Imatra?" ask I innocently. "Oh come! you don't mean to say you've never heard of Imatra? Why, everybody knows it. Let's go there next week." Nevertheless, it so happens that I have _not_ heard of Imatra--an ignorance probably shared by most people out of Russia, and perhaps not a few in it. But I am destined to a speedier acquaintance than I had anticipated with the famous waterfall (or "foss," as the natives call it), which, lying forty miles due north of the Finnish port of Viborg, close to the renowned "Saima Lake," attracts the amateur fishermen of St. Petersburg by scores every summer. The proposed trip comes at an auspicious moment, for St. Petersburg in July is as thoroughly a "city of the dead" as London in September or Chamouni in January; and the average tourist, having eaten cabbage-soup at Wolff's or Dominique's, promenaded the Nevski Prospect and bought photographs in the Gostinni-Dvor (the Russian Regent street and Burlington Arcade), witnessed a service in the Isaac Church, and perhaps gone on to Moscow to stare at the Kremlin and the Monster Bell, must either await the approach of winter or fall back upon the truly British consolation of being able to "say that he has been there." Then is the time for suburban or rural jaunts; for picnics at Peterhof and drives to Oranienbaum; for wandering through the gardens of Catherine II. at Tsarskoe-Selo ("Czar's Village") and eating curds and cream at Pavlovski; for surveying the monastery of Strelna or the batteries of Cronstadt; or, finally, for taking the advice of my roving friend and going to Imatra. Accordingly, behold all our preparations made--knapsacks packed, tear-and-wear garments put in requisition, many-colored Russian notes exchanged (at a fearful discount) for dingy Finnish silver[D]--and at half-past ten on a not particularly bright July morning we stand on the deck of the anything but "good ship" Konstantin, bound for Viborg. Despite her tortoise qualities as a steamer, however (which prolong our voyage to nearly nine hours), the vessel is really luxurious in her accommodations; and were her progress even slower, the motley groups around us (groups such as only Dickens could describe or Leech portray) would sufficiently beguile the time--jaunty boy-officers in brand-new uniforms, gallantly puffing their _papirossi_ (paper cigarettes) in defiance of coming nausea, and discussing the merits of the new opera loud enou
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