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it is! WILLIAM MORRIS. Supreme above all the enchanted gardens of Italy, both in the bewildering beauty of its sensuous charm and in the potency of its appeal to the imagination, stands the Villa d'Este at Tivoli. It is a hillside villa, a succession of terraces forming a stairway of flowers between the palace and the lower garden, where "Cypress and fig tree and orange in tier upon tier still repeated, Rose-garden on garden upheaved in balconies step to the sky." But it is also a superb water-staircase, for the river Anio, turned from its course by a gigantic feat of engineering, leaps in a magnificent cascade, laughs in the spray of a thousand fountain jets, and makes the bosquets which shadow the regal staircase a haunt of the water nymphs as well as of the Dryads. You fancy, as your unwary foot presses the concealed springs that it is the white hands of mischievous Naiads which dash the water in your face, a pensive melancholy settles upon you with the mysterious dusk, and you are startled by Undine's "short, quick sobs," and are loth to believe that the plaintive sounds with which the air pulses are but the dropping of rills in and out of the shadowy pools. The pompous hydraulic organ no longer thunders its "full-mouthed diapason," but the nightingales fill the long summer nights with their surges of wild rhapsodies. Both the eye and the ear of the artist receive refreshment and stimulus here. The garden is a bath of verdancy and coolness even upon the most torrid day. The very light which filters through the dense foliage is tinged with green. The marbles are velvety and moist with moss, and the maidenhair fern drips lush and dank. Here Liszt drew inspiration from the harmonies of water notes blended with the chiming of distant bells, and Watteau showed in the many studies which he made in the garden how potent was its influence in investing his _fetes champetres_ with the grace of the idyl. [Illustration: In the Garden of Villa d'Este From a photograph by Mr. Charles S. Platt] That its appeal was no less powerful to a poet, the "craft-master" of his day, it is our purpose later to show. Many minor poets also have felt and, with more or less success, have interpreted its wondrous charm--Story perhaps best of all. "What peace and quiet in this villa sleep! Here let us pause nor chase for pleasure on, Nothing can be more exquisite than this. See how the old house lifts
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