es it--this is art _sense._ Backed by a judgment
presenting a defense to the protests of criticism, it becomes art
_knowledge._

To find and preserve pictures out of the maze of nature is the labor of
the artist: to recognize them when found, the privilege of the
connoisseur.

The guileless prostrations which the many affect regarding art judgments
evoke the same degree of pity as the assertion of the beggar that he needs
money for a night's lodging when you and he know that one is awaiting him
for the asking at the Bureau of Charities. The many declare they know
nothing about art, the while having an all around culture in the
humanities, in literature, poetry, prose composition, music, aesthetics,
etc. The principles of all the arts being identical, how simple would it
be to apply those governing the arts which one knows to what is unknown.
The musician and poet make use of contrast, light and shade, gradation,
antithesis, balance, accent, force by opposition, isolation and omission,
rhythm, tone-color, climax, and above all unity and harmony.

Let the musician and him who knows literature challenge the work of art
for a violation of any of these and the judgment which results may be
accepted seriously; and yet the essence lies beyond--with nature herself.
It is just here that the stock writer of the daily paper misses it. He
may have science enough, but lacks the love, the revelation _through
communion._

But, with this omitted, critical judgment is safer in the hands of a
person of broad culture, who knows nothing of the tools of painting and
sculpture, than when wielded by a half-educated student of art with his
development all on one side. Ruskin warns us of young critics.

As a short cut, the camera fills a place for the many who _feel_ pictures
and wish to create them, but at small cost of time and effort. A little
art school for the public has the small black box become, into which
persons have been looking searchingly and thoughtfully for the past dozen
years. To those who have thus regarded it and exhibit work in
competition, revelations have come. Non-composition ruins their chances.
Good composition is nine-tenths of the plot. When this is conceded the
whole significance of their art is deepened. Then and not until then does
photography become allied with art, for this is the only point at which
_brains may be mixed_ with the photographic product.

Any one who has experienced a lantern slide