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The Project Gutenberg EBook of Pictorial Composition and the Critical Judgment of Pictures by Henry Rankin Poore This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Pictorial Composition and the Critical Judgment of Pictures Author: Henry Rankin Poore Release Date: September 16, 2008 [Ebook #26638] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK PICTORIAL COMPOSITION AND THE CRITICAL JUDGMENT OF PICTURES*** [Light and Shade--Geo. Inness] Pictorial Composition and the Critical Judgment of Pictures A Handbook for Students and Lovers of Art By H. R. Poore New York and London G. P. Putnam's Sons 1903 _It is with sincere pleasure that I dedicate this book to my first teacher, Peter Moran, as an acknowledgment to the interest he inspired in this important subject_ PREFACE This book has been prepared because, although the student has been abundantly supplied with aids to decorative art, there is little within his reach concerning pictorial composition. I have added thereto hints on the critical judgment of pictures with the hope of simplifying to the many the means of knowing pictures, prompted by the recollection of the topsyturviness of this question as it confronted my own mind a score of years ago. I was then apt to strain at a Corot hoping to discover in the employment of some unusual color or method the secret of its worth, and to think of the old masters as a different order of beings from the rest of mankind. Let me trust that, to a degree at least, these pages may prove iconoclastic, shattering the images created of superstitious reverence and allowing, in their stead, the result in art from whatever source to be substituted as something quite as worthy of this same homage. The author acknowledges the courtesies of the publishers of _Scribners,_ _The Century _and _Munsey's_ magazines, D. Appleton, Manzi, Joyant & Co., and of the artists giving consent to the use of their pictures for this book. Acknowledgment is also made to F. A. Beardsley, H. K. Freeman and L. Lord, for sketches contributed thereto.
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