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r him. When he walks out, he bows to everybody just like a king! The Grand Duke has presented him with a beautiful house situated on the Park, and here he lives elegantly, free of expense. Liszt gives no paid lessons whatever, as he is much too grand for that, but if one has talent enough, or pleases him, he lets one come to him and play to him. I go to him every other day, but I don't play more than twice a week, as I can not prepare so much, but I listen to others. Up to this point there have been only four in the class beside myself, and I am the only new one. From four to six o'clock in the afternoon is the time when he receives his scholars. The first time I went I did not play to him, but listened to the rest. Urspruch and Leitert, two young men whom I met the other night, have studied with Liszt a long time, and both play superbly. As I entered the salon, Urspruch was performing Schumann's "Symphonic Studies"--an immense composition, and one that it took at least half an hour to get through. He played so splendidly that my heart sank down into the very depths. I thought I should never get on there! Liszt came forward and greeted me in a very friendly manner as I entered. He was in a very good humor that day, and made some little witticisms. Urspruch asked him what title he should give to a piece he was composing. "Per aspera ad astra," said Liszt. This was such a good hit that I began to laugh, and he seemed to enjoy my appreciation of his little sarcasm. I did not play that time as my piano had only just come, and I was not prepared to do so, but I went home and practised tremendously for several days on Chopin's "B minor sonata." It is a great composition and one of his last works. When I thought I could play it, I went to Liszt, though with a trembling heart. I can not tell you what it has cost me every time I have ascended his stairs. I can scarcely summon up courage to go there, and generally stand on the steps a few moments before I can make up my mind to open the door and go in. Well, on this day the artists Leitert and Urspruch, and the young composer Metzdorf, were in the room when I came. They had probably been playing. At first Liszt took no notice of me beyond a greeting, till Metzdorf said to him, "Herr Doctor, M
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