r him.
When he walks out, he bows to everybody just like a king! The Grand
Duke has presented him with a beautiful house situated on the Park,
and here he lives elegantly, free of expense.
Liszt gives no paid lessons whatever, as he is much too grand for
that, but if one has talent enough, or pleases him, he lets one
come to him and play to him. I go to him every other day, but I
don't play more than twice a week, as I can not prepare so much,
but I listen to others. Up to this point there have been only four
in the class beside myself, and I am the only new one. From four to
six o'clock in the afternoon is the time when he receives his
scholars. The first time I went I did not play to him, but listened
to the rest. Urspruch and Leitert, two young men whom I met the
other night, have studied with Liszt a long time, and both play
superbly.
As I entered the salon, Urspruch was performing Schumann's
"Symphonic Studies"--an immense composition, and one that it took
at least half an hour to get through. He played so splendidly that
my heart sank down into the very depths. I thought I should never
get on there! Liszt came forward and greeted me in a very friendly
manner as I entered. He was in a very good humor that day, and made
some little witticisms. Urspruch asked him what title he should
give to a piece he was composing. "Per aspera ad astra," said
Liszt. This was such a good hit that I began to laugh, and he
seemed to enjoy my appreciation of his little sarcasm. I did not
play that time as my piano had only just come, and I was not
prepared to do so, but I went home and practised tremendously for
several days on Chopin's "B minor sonata." It is a great
composition and one of his last works. When I thought I could play
it, I went to Liszt, though with a trembling heart. I can not tell
you what it has cost me every time I have ascended his stairs. I
can scarcely summon up courage to go there, and generally stand on
the steps a few moments before I can make up my mind to open the
door and go in.
Well, on this day the artists Leitert and Urspruch, and the young
composer Metzdorf, were in the room when I came. They had probably
been playing. At first Liszt took no notice of me beyond a
greeting, till Metzdorf said to him, "Herr Doctor, M
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