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and then breaks out either in passing compliment--amounting to but a bow--or in eloquent laudation, during which the poet appears to be prostrate on his knees. He speaks nobly of cathedrals, and minsters, and so forth, reverendly adorning all the land; but in none--no, not one of the houses of the humble, the hovels of the poor into which he takes us--is the religion preached in those cathedrals and minsters, and chanted in prayer to the pealing organ, represented as the power that in peace supports the roof-tree, lightens the hearth, and is the guardian, the tutelary spirit of the lowly dwelling. Can this be right? Impossible. And when we find the Christian religion thus excluded from Poetry, otherwise as good as ever was produced by human genius, what are we to think of the Poet, and of the world of thought and feeling, fancy and imagination, in which he breathes, nor fears to declare to all men that he believes himself to be one of the order of the High Priests of nature? Shall it be said, in justification of the poet, that he presents a very interesting state of mind, sometimes found actually existing, and does not pretend to present a model of virtue?--that there are miseries which shut some hearts against religion, sensibilities which, being too severely tried, are disinclined, at least at certain stages of their suffering, to look to that source for comfort?--that this is human nature, and the description only follows it?--that when "in peace and comfort" her best hopes were directed to "the God in heaven," and that her habit in that respect was only broken up by the stroke of her calamity, causing such a derangement of her mental power as should deeply interest the sympathies?--in short, that the poet is an artist, and that the privation of all comfort from religion completes the picture of her desolation? Would that such defence were of avail! But of whom does the poet so pathetically speak? "Of one whose stock Of virtues bloom'd beneath this lowly roof. She was a woman of a steady mind, Tender and deep in her excess of love; Not speaking much--pleased rather with the joy Of her own thoughts. By some especial care Her temper had been framed, as if to make A Being who, by adding love to fear, Might live on earth a life of happiness. Her wedded partner lack'd not on his side The humble worth that satisfied her heart-- Frugal, affectionate,
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