Ross.

3 WIDTH PROPORTIONS OF MODERN ROMAN CAPITALS. F. C. B.

4 DRAWING FOR INCISED ROMAN CAPITALS. For cutting in granite. Letter forms
based upon those shown in figures 1 and 2. F. C. B.

5 PHOTOGRAPH OF INCISED ROMAN CAPITALS. Cut in granite from drawing shown
in figure 4

6 INCISED ROMAN CAPITALS. From the Arch of Constantine, Rome. 315 A.D. From
a photograph

7 MODEL FOR INCISED ROMAN CAPITALS. Used for inscriptions cut in granite on
Boston Public Library. McKim, Mead & White, Architects. Photographed from a
cast

8 ROMAN INCISED CAPITALS. From fragments in marble. National Museum,
Naples. Rubbing

9 ROMAN INCISED INSCRIPTION. Museo Civico, Bologna. From a photograph

10 ROMAN INCISED INSCRIPTION. Museo Civico, Bologna. From a photograph

11 DETAIL FROM A ROMAN INCISED INSCRIPTION. Showing composition. Redrawn
from a rubbing. F. C. B.

12 "RUSTIC" ROMAN CAPITALS. Of pen forms, but cut in stone. Redrawn from a
rubbing. From fragment in the National Museum, Naples. F. C. B.

13 ROMAN CAPITALS FROM FRAGMENTS OF INSCRIPTIONS. Showing various
characteristic letter forms. Redrawn from rubbings. F. C. B.

14 MODERN ROMAN INCISED CAPITALS. Executed in sandstone. From the Harvard
Architectural Building, Cambridge, Mass. McKim, Mead & White, Architects

15 LETTERS SHOWN IN ALPHABET 1 AND 2, IN COMPOSITION. By Albert R. Ross

16 and 17 CLASSIC ROMAN CAPITALS. Cut in marble. Redrawn from rubbings made
in the Forum, Rome. F. C. B.-21

18 and 19 CLASSIC ROMAN CAPITALS. Late period. Cut in marble. Redrawn from
rubbings. F. C. B.

20 PORTION OF ROMAN INSCRIPTION. With supplied letters. Redrawn from a
rubbing. F. C. B.

21 CLASSIC ROMAN INSCRIPTION. Incised in marble. Redrawn from a rubbing.
F. C. B.

22 CLASSIC ROMAN INSCRIPTION. In stone. Redrawn from a rubbing. F. C. B.

23 ITALIAN RENAISSANCE INSCRIPTION. Square-sunk in marble. From a
photograph of a mortuary slab

24 ITALIAN RENAISSANCE MEDAL. By Vittore Pisano. 15th Century. From a
photograph

25 MODERN FRENCH MEDAL. By Oscar Roty. From a photograph of the original in
the Luxembourg, Paris

26 CAPITALS ADAPTED FROM RENAISSANCE MEDALS. F. C. B.

27 SPANISH RENAISSANCE ALPHABET. By Juan de Yciar. From "Arte por la qual
se ese[=n]a a escrevir perfectamente." (Saragossa, 1550)

28 RENAISSANCE INLAID MEDALLION. From a floor-slab in Santa Croce,
Florence. Redrawn from a rubbing. F. C. B.

29 ITALIAN RENAISSANCE CAPITALS. From an inlaid floor-slab in