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The Project Gutenberg EBook of Roman Mosaics, by Hugh Macmillan This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Roman Mosaics Or, Studies in Rome and Its Neighbourhood Author: Hugh Macmillan Release Date: July 2, 2005 [EBook #16180] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ROMAN MOSAICS *** Produced by Juliet Sutherland, Suzanne Lybarger, and the Online Distributed Proofreading Team at http://www.pgdp.net ROMAN MOSAICS OR STUDIES IN ROME AND ITS NEIGHBOURHOOD BY HUGH MACMILLAN D.D., LL.D., F.R.S.E., F.S.A. Scot. AUTHOR OF 'BIBLE TEACHINGS IN NATURE,' 'FIRST FORMS OF VEGETATION,' 'HOLIDAYS IN HIGH LANDS,' 'THE RIVIERA,' ETC. London MACMILLAN AND CO. AND NEW YORK 1888 PREFACE The title of this book may seem fanciful. It may even be regarded as misleading, creating the idea that it is a treatise like that of Mr. Digby Wyatt on those peculiar works of art which decorate the old palaces and churches of Rome. But notwithstanding these objections, no title can more adequately describe the nature of the book. It is applicable on account of the miscellaneous character of the chapters, which have already appeared in some of our leading magazines and reviews, and are now, with considerable changes and additions, gathered together into a volume. There is a further suitableness in the title, owing to the fact that most of the contents have no claim to originality. As a Roman Mosaic is made up of small coloured cubes joined together in such a manner as to form a picture, so my book may be said to be made up of old facts gathered from many sources and harmonised into a significant unity. So many thousands of volumes have been written about Rome that it is impossible to say anything new regarding it. Every feature of its topography and every incident of its history have been described. Every sentiment appropriate to the subject has been expressed. But Rome can be regarded from countless points of view, and studied for endless objects. Each visitor's mind is a different prism with angles of thought that break up the subject into its own colours. And as is the case in a mosaic, old materials can be b
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