The Project Gutenberg eBook, Elizabethan Sonnet Cycles, by Michael
Drayton, Bartholomew Griffin, and William Smith, Edited by Martha Foote
Crow

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

Title: Elizabethan Sonnet Cycles
Idea, by Michael Drayton; Fidessa, by Bartholomew Griffin; Chloris, by William Smith

Author: Michael Drayton, Bartholomew Griffin, and William Smith

Editor: Martha Foote Crow

Release Date: March 24, 2005 [eBook #15448]

Language: English

Character set encoding: ISO-646-US (US-ASCII)

***START OF THE PROJECT GUTENBERG EBOOK ELIZABETHAN SONNET CYCLES***

E-text prepared by David Starner, Melissa Er-Raqabi, and the Project
Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)

ELIZABETHAN SONNET-CYCLES

Edited by

MARTHA FOOTE CROW

Kegan Paul, Trench, Truebner and Co.
Paternoster House London W.C.

1897

IDEA
by
MICHAEL DRAYTON

FIDESSA
by
BARTHOLOMEW GRIFFIN

CHLORIS
by
WILLIAM SMITH

IDEA
by
MICHAEL DRAYTON

The true story of the life of Michael Drayton might be told to
vindicate the poetic traditions of the olden time. A child-poet
wandering in fay-haunted Arden, or listening to the harper that
frequented the fireside of Polesworth Hall where the boy was a petted
page, later the honoured almoner of the bounty of many patrons, one
who "not unworthily," as Tofte said, "beareth the name of the chiefest
archangel, singing after this soule-ravishing manner," yet leaving but
"five pounds lying by him at his death, which was _satis viatici ad
coelum_"--is not this the panorama of a poetic career? But above
all, to complete the picture of the ideal poet, he worshipped, and
hopelessly, from youth to age the image of one, woman. He never
married, and while many patronesses were honoured with his poetic
addresses, there was one fair dame to whom he never offered dedicatory
sonnet, a silence that is full of meaning. Yet the praises of Idea,
his poetic name for the lady of his admiration and love, are written
all over the pages of his voluminous lyrical and chorographical and
historical poems, and her very name is quaintly revealed to us. Anne
Goodere was the younger daughter in the noble family where Dra