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ned a scholarship at King's college. Being, by this delay, such as is said to have happened very rarely, superannuated, he was sent to St. John's college, by the contributions of his friends, where he obtained a small exhibition. At his college he lived for some time in the same chamber with the well-known Ford, by whom I have formerly heard him described as a contracted scholar and a mere versifier, unacquainted with life, and unskilful in conversation. His addiction to metre was then such, that his companions familiarly called him poet. When he had opportunities of mingling with mankind, he cleared himself, as Ford likewise owned, from great part of his scholastick rust. He appeared early in the world as a translator of the Iliads into prose, in conjunction with Ozell and Oldisworth. How their several parts were distributed is not known. This is the translation of which Ozell boasted as superiour, in Toland's opinion, to that of Pope: it has long since vanished, and is now in no danger from the criticks. He was introduced to Mr. Pope, who was then visiting sir John Cotton, at Madingley, near Cambridge, and gained so much of his esteem, that he was employed, I believe, to make extracts from Eustathius for the notes to the translation of the Iliad; and, in the volumes of poetry published by Lintot, commonly called Pope's Miscellanies, many of his early pieces were inserted. Pope and Broome were to be yet more closely connected. When the success of the Iliad gave encouragement to a version of the Odyssey, Pope, weary of the toil, called Fenton and Broome to his assistance; and, taking only half the work upon himself, divided the other half between his partners, giving four books to Fenton, and eight to Broome. Fenton's books I have enumerated in his life; to the lot of Broome fell the second, sixth, eighth, eleventh, twelfth, sixteenth, eighteenth, and twenty-third, together with the burden of writing all the notes. As this translation is a very important event in poetical history, the reader has a right to know upon what grounds I establish my narration. That the version was not wholly Pope's, was always known: he had mentioned the assistance of two friends in his proposals, and, at the end of the work, some account is given by Broome of their different parts, which, however, mentions only five books as written by the coadjutors; the fourth and twentieth by Fenton; the sixth, the eleventh, and the eighteenth,
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