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's broken chain; Tell her not, that every year, Brings but sorrow, care, and pain! Soon the mist will roll away, And the soft enchantment fly: Gipsey, hasten on thy way, Ne'er unrol her destiny! Tell her, if thou wilt, that never, 'Neath the skies may be her home, And if thou that _hope_ hadst ever, Tell her of a world to come! _Kirton, Lindsey_. ANNE R. * * * * * FINE ARTS. THE BRITISH INSTITUTION. (_From a Correspondent_.) The admirers of modern painting invariably anticipate much delight prior to the opening of the Exhibition at this institution, and their hopes in the present instance have not been disappointed, as there certainly is a fine display of talent in almost every department of the art. There are nearly six hundred works. No. 1. Portsmouth, from the King's Bastion; painted by command of his Majesty, by Clarkson Stanfield. 5. The Falconer; a brilliant little picture by A. Fraser. 6. Sabrina, from Milton's Comus; Mr. Etty delineates the female form with peculiar accuracy and delicacy, and in the subject before us he has displayed his usual ability. 28. A Lady of Rank of the fifteenth century taking the Veil; a work of considerable promise by a young artist--S. A. Hart. 30. The Rick Side; beautifully executed by T. Woodward. 47. A Man saved from Shipwreck; this is an interesting subject by Charles Hancock. _Apropos_, this gentleman paints much in the fascinating manner of Mr. Landseer. 61. Entrance to a Village; painted from nature in a pleasing style by C.R. Stanley. 75. Interior of a Highlander's House; E. Landseer, R.A. 248. Distant View of Goderich Church; Copley Fielding. 337. The Recruit; by H. Liversege. The principal group in this picture is treated in the following way: around a table are seated four persons, among whom are two soldiers--being the recruiting sergeant with one of his party. The recruit, a rustic looking youth, has a good deal of expression in his countenance; he seems extremely doubtful concerning the step he has taken, while an interesting young woman, apparently his sister, is fondly endeavouring to dissuade him from it. The sergeant complacently smokes his pipe, and smiles at her solicitude. This is, perhaps, the most unaffected picture in the whole collection, being a remarkably modest representation of nature. The composition is good, and the freedom and delicacy of th
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