erated on the 14th of
November, under the condition that he would solemnly pledge himself to
forget and forgive the treatment which he had received, but the other
prisoners were retained in custody for a much longer period. A few weeks
afterwards, the Prince of Orange visited Ghent, at the earnest request of
the four estates of Flanders, and it was hoped that his presence would
contribute to the restoration of tranquillity.

This visit was naturally honored by a brilliant display of "rhetorical"
spectacles and tableaux vivants; for nothing could exceed the passion of
the Netherlanders of that century for apologues and charades. In allegory
they found an ever-present comforter in their deepest afflictions. The
prince was escorted from the Town-gate to the Jacob's church amid a blaze
of tar-barrels and torches, although it was mid-day, where a splendid
exhibition had been arranged by that sovereign guild of rhetoric, "Jesus
with the Balsam Flower." The drama was called Judas Maccabaeus, in
compliment to the Prince. In the centre of the stage stood the Hebrew
patriot, in full armor, symbolizing the illustrious guest doing battle
for his country. He was attended by the three estates of the country,
ingeniously personified by a single individual, who wore the velvet
bonnet of a noble, the cassock of a priest, end the breeches of a
burgher. Groups of allegorical personages were drawn up on the right and
left;--Courage, Patriotism, Freedom, Mercy, Diligence, and other
estimable qualities upon one side, were balanced by Murder, Rapine,
Treason, and the rest of the sisterhood of Crime on the other. The
Inquisition was represented as a lean and hungry hag. The "Ghent
Pacification" was dressed in cramoisy satin, and wore a city on her head
for a turban; while; tied to her apron-strings were Catholicism and
Protestantism, bound in a loving embrace by a chain of seventeen links,
which she was forging upon an anvil. Under the anvil was an individual in
complete harness, engaged in eating his heart; this was Discord. In front
of the scene stood History and Rhetoric, attired as "triumphant maidens,
in white garments," each with a laurel crown and a burning torch. These
personages, after holding a rhymed dialogue between themselves, filled
with wonderful conceits and quibbles, addressed the Prince of Orange and
Maccabaeus, one after the other, in a great quantity of very detestable
verses.

After much changing of scenes and groups, and