t
guiltily. They sat in silence for a moment. Behind them, on a bench set
in the shadow of a mighty wall, was a guardian of the Acropolis, a thin
brown man with very large ears sticking out from his head. He had been
dozing, but now stirred, shuffled his feet, and suddenly cleared his
throat. Then he sighed heavily.

"And if there was, why did you think it came, Dion?" said Rosamund
suddenly, with an almost startling swiftness of decision.

Dion reddened.

"Why don't you like to tell me?"

"Oh, well--things go through the mind without our wishing them to. You
must know that, Rosamund. They are often like absurd little intruders.
One kicks them out if one can."

"What kind of intruder did you kick out, or try to kick out, at
Burstal?"

She spoke half-laughingly, but half-challengingly.

He drew a little nearer to her.

"Sometimes I have fancied that perhaps, that day at Burstal, you
suddenly realized that love might be a more powerful upholder of life
than ambition ever could be."

"Sometimes? And you thought it first on the downs, or at any rate after
the concert?"

"I think I did."

"Do you realize," she said slowly, and as if with an effort, "that you
and I have never discussed my singing in 'Elijah'?"

"I know we never have."

"Let us do it now," she continued, still seeming to make a strong
effort.

"But why should we?"

"I want to. Didn't I sing well?"

"I thought you sang wonderfully well."

"Then what was it that went wrong? I've never understood."

"Why should you think anything went wrong? The critics said it was a
remarkable performance. You made a great effect."

"I believe I did. But I felt for the first time that day that I was out
of sympathy with my audience. And then"--she paused, but presently added
with a certain dryness--"I was never offered any engagement to sing in
oratorio after Burstal."

"I believe a good many people thought your talent would show at its best
in opera."

"I shall never go on the stage. The idea is hateful to me, and always
has been. Would you like me to sing on the stage?"

"No."

"Dion, why don't you tell me what happened that day at Burstal?"

"I scarcely could."

"I wish you would try."

"Well--I think it was a mistake for you to begin your public career in
oratorio by singing 'Woe unto them.'"

"Why?"

"It's an unsympathetic thing. It's a cruel sort of thing."

"Cruel? But it's one of the best-known things in oratorio."

"You made i