serve instead of repetitions, and
not the ordinary long-used blotting-book which only tells of forgotten
writing. But in this case Mr. Casaubon's confidence was not likely to
be falsified, for Dorothea heard and retained what he said with the
eager interest of a fresh young nature to which every variety in
experience is an epoch.

It was three o'clock in the beautiful breezy autumn day when Mr.
Casaubon drove off to his Rectory at Lowick, only five miles from
Tipton; and Dorothea, who had on her bonnet and shawl, hurried along
the shrubbery and across the park that she might wander through the
bordering wood with no other visible companionship than that of Monk,
the Great St. Bernard dog, who always took care of the young ladies in
their walks. There had risen before her the girl's vision of a
possible future for herself to which she looked forward with trembling
hope, and she wanted to wander on in that visionary future without
interruption. She walked briskly in the brisk air, the color rose in
her cheeks, and her straw bonnet (which our contemporaries might look
at with conjectural curiosity as at an obsolete form of basket) fell a
little backward. She would perhaps be hardly characterized enough if
it were omitted that she wore her brown hair flatly braided and coiled
behind so as to expose the outline of her head in a daring manner at a
time when public feeling required the meagreness of nature to be
dissimulated by tall barricades of frizzed curls and bows, never
surpassed by any great race except the Feejeean. This was a trait of
Miss Brooke's asceticism. But there was nothing of an ascetic's
expression in her bright full eyes, as she looked before her, not
consciously seeing, but absorbing into the intensity of her mood, the
solemn glory of the afternoon with its long swathes of light between
the far-off rows of limes, whose shadows touched each other.

All people, young or old (that is, all people in those ante-reform
times), would have thought her an interesting object if they had
referred the glow in her eyes and cheeks to the newly awakened ordinary
images of young love: the illusions of Chloe about Strephon have been
sufficiently consecrated in poetry, as the pathetic loveliness of all
spontaneous trust ought to be. Miss Pippin adoring young Pumpkin, and
dreaming along endless vistas of unwearying companionship, was a little
drama which never tired our fathers and mothers, and had been put into
al