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played by the Moor seemed to approach him, very quietly, and to become one with this slow agony. Music, among its many and terrible powers, numbers one that is scarcely possessed as forcibly by any other art. It can glide into a man and direct his emotions as irresistibly as science can direct the flow of a stream. It can penetrate as a thing seen cannot penetrate. For that which is invisible is that which is invincible. And this tune of the Moor, while it added to Renfrew's distress, touched his distress with confusion and bewilderment. At first he did not realise that the music had anything to do with his state of mind, or with the growing turmoil of his heart and brain; but he felt that something was becoming intolerable to him, and pushing him on in a dangerous path. He thought it was the statement of Claire; and, for the first time in his life, he was stirred by an anger against her that was horrible to him. He released her from his arm. "How dare you say that to me?" he asked. "Do you understand what your words imply, that--Good God!--that women are like animals, creatures without souls, running to the feet of the master who has the whip with the longest, the most stinging lash? Why, such a creed as yours would keep men savages, and kill all gentleness out of the world. Curse that chap! That hideous music of his--" He had suddenly become aware that the Moor's melody added something to his torment. At his last exclamation, the sullen look in Claire's pale face gave way to an expression of fear and of startling solicitude. "Desmond, you are putting a wrong interpretation on what I said," she began hastily. But he was excited, and could not endure any interruption. "And you imply a degrading immorality as a prevailing characteristic of women too," he went on, "that they should leave their homes, deny their obligations, because they find elsewhere--away, out in some dark place with a blackguard--a powerful will to curb them and keep them down, like--why, like these wretched women all round us here in this country,--the women we saw in Tetuan only to-day, veiled, hidden, loaded with burdens, worse off than animals, because their masters doubt them, and would not dream of trusting them. Claire, there's something barbarous about you." He spoke the words with the intonation of one who thinks he is uttering an insult. But she smiled. "It's the something barbarous about me that has placed me where I am," she
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