saratsara" (We salute you). They then turned to the left to salute
King Radama's tomb, which was close at hand, with three similar bows,
afterwards taking up their former position in front of the balcony, and
making three additional obeisances. M. Lambret next held up a gold piece
of eighty francs value, and placed it in the hands of the minister who
had introduced them. This gift, which is presented by every stranger, is
called "Monosina." The Queen then asked M. Lambret if he wished to put
any question to her, or if he needed anything, and also addressed a few
words to Madame Pfeiffer. The obeisances and greetings were then
resumed, due reverence was paid to King Radama's monument, and the
visitors, as they retired, were again cautioned not to put the left foot
first over the threshold.
Soon afterwards, Queen Ranavala gave a banquet in honour of her visitor,
and invited--or, perhaps, we should say commanded--her to give a musical
performance before all her court.
"To-day," she writes in her journal, "I have had the great honour to
show my talent, or rather my ignorance, on the piano before the Queen.
In my youth I had been a tolerable musician, but, alas, that was long
ago. For thirty years I had forgotten the instrument. Who would ever
have thought that I should one day be summoned to perform before a queen
and her court, and at the age of sixty, when I fumbled more atrociously
than do children who have had a few months' lessons?... With great
difficulty I forced my old stiff fingers to run through some scales and
exercises. I learned a few waltzes, and some other dance airs, and thus
prepared, ventured to challenge the judgment of the severe Aristarchuses
of Madagascar.
"I sat down at the piano, and began to play; but what were my feelings
at finding it so out of order that not one note was in tune, and that
several of the keys responded to the strongest pressure with an
obstinate silence? And it was upon such an instrument I was to perform!
But the true artist-genius rises above all such difficulties, and
electrified by the thought of displaying my talent before a public of
such enlightened amateurs, I set to work to accomplish the most
unpolished roulades imaginable, to stamp my best on the rebellious keys,
and to play _sans suite et sans raison_.... As a reward, I had the
satisfaction of perceiving that my talent was generally appreciated, and
of obtaining her Majesty's thanks. The same day, as a signal mark
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