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ng beauties whom more fortunate travellers have celebrated." What she _did_ observe in those daughters of the mountains was the elegance of their shape and the natural grace of their movements. A Circassian woman is never awkward. Dressed in rags or in brocade, she never fails to assume, spontaneously and without thought of display, the most graceful and picturesque attitudes. "In this respect," says Madame de Hell, "she is unquestionably superior to the highest efforts of fascination which Parisian art can achieve." A visit to the family of a Circassian prince "at home" is thus narrated by our travellers: The dwelling was a wretched mud hut, in front of which, on a mat, lay the prince in his shirt, and barefooted. He received his visitors very hospitably, and after the usual courtesies proceeded to make his toilette. He sent for his finest garments and costliest "leg gear," girded on his weapons, and then led the way into his "interior," which was as bare and unfurnished as any Connemara peasant's cabin, the only objects visible being a saddle, a few vessels, and a divan covered with reed matting. His guests having rested for a few minutes, the prince introduced them to his wife and daughter, who had been apprised of their arrival, and were anxious to see them. These ladies occupied a hut of their own, consisting, like the prince's, of a single room. They rose at the entrance of their visitors, and saluted them with much grace; then, motioning them to be seated, the mother sat down in the Turkish fashion on her divan, while her daughter reclined against the couch on which the strangers had taken their places. They, when the reception was over, remarked with surprise that the prince had not crossed the threshold, but had simply put his head in at the door to answer their questions and converse with his wife. The explanation afforded was, that a Circassian officer cannot, consistently with honour, enter his wife's apartment during the day, and it seems that in all families with the slightest pretension to distinction this rule is rigorously observed. A greater appearance of comfort was observable in the princess's apartment than in her husband's, as might well be the case. It contained two large divans, the silk cushions of which were gay with gold and silver embroidery, carpets of painted felt, several trunks, and a very pretty work-basket. A small Russian mirror and the prince's armorial trophies formed the de
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